Archives

• Peter Saville in 2007September 25, 2023
• Lynda Barry on being stuckSeptember 24, 2023
• Charles Eames on being an amateurSeptember 23, 2023
• Anne Burdick on styleSeptember 22, 2023
• Peter Bogdanovich at the AFISeptember 21, 2023
• Lanny Sommese on designSeptember 20, 2023
• David Wojnarowicz on beautySeptember 19, 2023
• Orson Welles on being professionalSeptember 18, 2023
• Legibility in the Irregular BulletinSeptember 17, 2023
• Meena Alexander on poetrySeptember 16, 2023
• Jan Tschichold on booksSeptember 15, 2023
• Kurt Vonnegut in BluebeardSeptember 14, 2023
• It’s All Been Done in 1969September 13, 2023
• M&CO designs for Talking HeadsSeptember 12, 2023
• Saul Bass on ideasSeptember 11, 2023
• Lynda Barry on the grooveSeptember 10, 2023
• Cranky Rick ValicentiSeptember 9, 2023
• Heather Havrilesky on artSeptember 8, 2023
• Richard Linklater in 2023September 7, 2023
• Ad Reinhardt on competitionSeptember 6, 2023
• Chantal Akerman on film rankingsSeptember 5, 2023
• Maya Deren on growthSeptember 4, 2023
• Jack Kirby on classSeptember 3, 2023
• 1977’s Valentino on artistic meritSeptember 2, 2023
• Tim Sale on René GruauSeptember 1, 2023
• George Meredith on librariesAugust 31, 2023
• Lidia Yuknavitch on artAugust 30, 2023
• Margo Chase on her first jobAugust 29, 2023
• On art and fearAugust 28, 2023
• Grace Paley on moneyAugust 27, 2023
• Herb Lubalin on businessAugust 26, 2023
• Karen Kratzer on spec workAugust 25, 2023
• Heather Havrilesky on mistakesAugust 24, 2023
• James Baldwin on beingAugust 23, 2023
• Jack Kirby on professionalismAugust 22, 2023
• Małgorzata Bartosik on Polish designAugust 21, 2023
• Michael C. Gross on art directingAugust 21, 2023
• Barry Windsor-Smith in 1996August 20, 2023
• Lou Danziger on booksAugust 19, 2023
• Corita Kent on experienceAugust 18, 2023
• R. O. Blechman in the ’70sAugust 17, 2023
• James Baldwin on gamesAugust 16, 2023
• Rebecca Solnit on treesAugust 15, 2023
• Maya Deren on filmAugust 14, 2023
• Po on Dark Side of the MoonAugust 13, 2023
• Neal Adams on being an artistAugust 12, 2023
• Maurice Sendak on independenceAugust 11, 2023
• Advice from Sally CruikshankAugust 10, 2023
• Anne Boyer on capitalismAugust 9, 2023
• Václav Havel on hopeAugust 9, 2023
• Jamie Reid in 2015August 8, 2023
• Tomi Ungerer on influencesAugust 8, 2023
• Bill Sienkiewicz in 1986August 7, 2023
• William Friedkin on expressionAugust 7, 2023
• Kase2 on The BeastmasterAugust 6, 2023
• John Porcellino on artistic freedomAugust 6, 2023
• Neal Adams on art and businessAugust 5, 2023
• Jenny Xie on cultural workersAugust 5, 2023
• Olivia Laing on competitionAugust 4, 2023
• Heather Havrilesky on being nobodyAugust 3, 2023
• Tricia Zimic on the art of TromaAugust 2, 2023
• John Romita Sr. on comicsAugust 2, 2023
• Jacques Rivette on being attentiveAugust 1, 2023
• Bill Watterson on influencesAugust 1, 2023
• Nora Ephron on blogsJuly 31, 2023
• Frank Frazetta on OrcaJuly 31, 2023
• Bernie Wrightson on being an artistJuly 30, 2023
• Saul Bass on Stanley KubrickJuly 30, 2023
• John Berger – Hold Everything DearJuly 29, 2023
• Jack Pedota & Batman ReturnsJuly 28, 2023
• Carin Goldberg on trustJuly 28, 2023
• Milton Glaser on marketingJuly 27, 2023
• Mandy Brown on survivalJuly 26, 2023
• Paul Sahre on subjectivityJuly 25, 2023
• Charlotte West on ProjektJuly 24, 2023
• Brian Bysouth on James BondJuly 23, 2023
• Barbara Kruger on styleJuly 22, 2023
• Lynda Barry on revolutionary actsJuly 21, 2023
• James Victore on The Bourne IdentityJuly 20, 2023
• David Lynch on fateJuly 20, 2023
• Seymour Chwast on doubtJuly 19, 2023
• Helen Keller on fateJuly 18, 2023
• Milton Glaser on drawingJuly 18, 2023
• Mieczysław Wasilewski in 2016July 17, 2023
• Artists & Trade Unions by Francis J. GormanJuly 16, 2023
• Carin Goldberg on designJuly 15, 2023
• Philip Glass on lineageJuly 14, 2023
• Karel Teissig on film postersJuly 13, 2023
• Lynda Barry on analogJuly 12, 2023
• Ursula K. Le Guin on freedomJuly 11, 2023
• Alan Fletcher on ideasJuly 11, 2023
• Ada Limón on self preservationJuly 11, 2023
• William Morris on historyJuly 10, 2023
• Richard Hollis on Jan TschicholdJuly 9, 2023
• Anne Lamott on perfectionismJuly 8, 2023
• Rick Prelinger on nostalgiaJuly 8, 2023
• David King in Eye MagazineJuly 7, 2023
• Coralie Bickford-Smith on shynessJuly 7, 2023
• Do You Know Bureau?July 6, 2023
• Bill Watterson on popular artJuly 6, 2023
• Philip B. Meggs on knowing design historyJuly 5, 2023
• John Porcellino on callingsJuly 4, 2023
• Susan Sontag on the posterJuly 4, 2023
• Dorian Corey on making a markJuly 3, 2023
• Rejected Lubalin logosJuly 3, 2023
• R. O. Blechman on contextJuly 2, 2023
• John Lurie on intuitionJuly 1, 2023
• Richard Lorber on filmsJuly 1, 2023
• Whistler on timeJune 30, 2023
• Martha Graham on artistsJune 30, 2023
• Marshall McLuhan on insightJune 29, 2023
• Nick Cave on being kindJune 28, 2023
• Corita Kent on makingJune 27, 2023
• Olga Poláčková-Vyleťalová on postersJune 26, 2023
• Roz Chast on cartooningJune 25, 2023
• Winston Smith on faking itJune 24, 2023
• Rick Poynor on Tibor KalmanJune 24, 2023
• Christopher Reeve on moneyJune 23, 2023
• Patricia Rozema on ‘Mermaids’June 22, 2023
• Neil Postman on technologyJune 22, 2023
• R. O. Blechman on creditJune 21, 2023
• Martha Ackmann on Emily DickinsonJune 21, 2023
• Zadie Smith on rememberingJune 20, 2023
• Roman Cieślewicz on postersJune 19, 2023
• Rick Rubin on funJune 18, 2023
• Estelle Carol on the collectiveJune 17, 2023
• Quotes from Amos Kennedy Jr.June 16, 2023
• Paul Rand on likingJune 15, 2023
• Anaïs Nin on intimacyJune 14, 2023
• Peter Saville’s Fac 1 posterJune 13, 2023
• Don Hertzfeldt on stagnationJune 12, 2023
• Lorraine Wild on the computerJune 11, 2023
• Karrie Jacobs on styleJune 10, 2023
• Ross Gay on joyJune 9, 2023
• Edith Wharton on lightJune 8, 2023
• Günther Kieser on postersJune 7, 2023
• Lou Danziger on teachingJune 7, 2023
• Emily Dickinson on her companionsJune 6, 2023
• Henry David Thoreau on journalsJune 5, 2023
• Kenneth Goldsmith on savingJune 4, 2023
• Book covers by Barbara KrugerJune 4, 2023
• Rudy VanderLans on the Next Big ThingJune 3, 2023
• Martin Scorsese on businessJune 3, 2023
• Lorraine Wild on ModernismJune 2, 2023
• Sylvia Plath on livingJune 1, 2023
• Tibor Kalman on design in the ’80sJune 1, 2023
• George Saunders on originalityMay 31, 2023
• Behind the ‘Mermaids’ posterMay 30, 2023
• Tim Kreider on sanityMay 29, 2023
• Good History/Bad HistoryMay 28, 2023
• Corita Kent on hopeMay 27, 2023
• Saul Bass on workingMay 26, 2023
• April Greiman’s studio in 1994May 25, 2023
• Seymour Chwast’s career adviceMay 24, 2023
• Waldemar Świerzy on Polish Posters in ’92May 23, 2023
• On Identical DiscoveriesMay 22, 2023
• Bill Withers on simplicityMay 21, 2023
• M&Co’s design approachMay 20, 2023
• Bruce Springsteen on nihilismMay 19, 2023
• Martin Scorsese at 80May 18, 2023
• Saul Bass on 9 to 5May 17, 2023
• Loretta Staples on designMay 16, 2023
• Bob Gill on pricingMay 15, 2023
• Maria Kalman on thinkingMay 14, 2023
• Ted Chiang on LudditesMay 14, 2023
• Ursula K. Le Guin on happinessMay 13, 2023
• Milton Glaser on inspirationMay 12, 2023
• Naomi Klein on AIMay 11, 2023
• Bill Hader on enjoymentMay 10, 2023
• Tim Kreider on selvesMay 9, 2023
• Margo Chase on entertainment designMay 8, 2023
• Lynda Barry on smartphonesMay 7, 2023
• Milton Glaser on purposeMay 6, 2023
• Annie Dillard on givingMay 5, 2023
• Art Chantry on heroesMay 4, 2023
• Tibor Kalman on MatewanMay 3, 2023
• PTA on the blank pageMay 2, 2023
• Stephan Bundi on the age of the computerMay 1, 2023
• Barbara Kruger on SupremeApril 30, 2023
• Harlan Ellison on ethicsApril 29, 2023
• Kurt Vonnegut on hack jobsApril 28, 2023
• Brian Eno on targetsApril 27, 2023
• Alan Moore on visionApril 26, 2023
• William Copley on progressApril 25, 2023
• Anne Burdick on formApril 24, 2023
• Anne Herbert on librariesApril 23, 2023
• Jamie Reid on ideasApril 22, 2023
• Julie Prendiville on Margo ChaseApril 21, 2023
• Maira Kalman on seeingApril 20, 2023
• Kate Hepburn on designing for PythonApril 19, 2023
• Bob Gill on realityApril 18, 2023
• Linn Ullmann on Ingmar BergmanApril 17, 2023
• Helen Keller on industrial oppressionApril 16, 2023
• Drew Struzan on HellboyApril 15, 2023
• George Saunders on skillApril 14, 2023
• Edward Tufte on creative workApril 13, 2023
• Stanley Kubrick on styleApril 12, 2023
• Karlheinz Borchert on W. German Film PostersApril 11, 2023
• Mike Salisbury on ‘Aliens’April 10, 2023
• A Note from James VictoreApril 9, 2023
• Zuzana Licko on traditionApril 8, 2023
• Q&A with Gunter RambowApril 7, 2023
• Rudy VanderLans on type designApril 6, 2023
• Sylvia Plath on acceptanceApril 5, 2023
• Neil Postman’s 7 QuestionsApril 4, 2023
• Maya Deren on being an amateurApril 3, 2023
• Mary Oliver on BeingApril 2, 2023
• William Friedkin at the AFIApril 1, 2023
• Notes from Lynda BarryApril 1, 2023
• Chantal Akerman on starting outMarch 31, 2023
• Ken Russell on The DevilsMarch 30, 2023
• David Lee Roth on creativityMarch 29, 2023
• Piet Schreuders on designersMarch 28, 2023
• Mr. Keedy on American Graphic DesignMarch 27, 2023
• Susan Sontag on postersMarch 26, 2023
• Design advice from April GreimanMarch 25, 2023
• William Golden on market researchMarch 24, 2023
• Piet Schreuders in EmigreMarch 23, 2023
• Thoreau on the ordinaryMarch 22, 2023
• Maya Deren on film narrativeMarch 21, 2023
• Jan Van Toorn on hindrancesMarch 20, 2023
• Ellison, Adams, and deadlinesMarch 19, 2023
• Bob Gill on typographyMarch 18, 2023
• Daniel Clowes on styleMarch 17, 2023
• Margo Chase on turning work downMarch 16, 2023
• Tom Noonan on writingMarch 15, 2023
• Rachel Marie-Crane Williams on teachingMarch 14, 2023
• Maya Deren on artistic freedomMarch 13, 2023
• Ivan Chermayeff on Robert BrownjohnMarch 12, 2023
• Paulus Berensohn on journalsMarch 11, 2023
• Kate Hepburn at Spare RibMarch 10, 2023
• Milton Glaser on ideas and clichésMarch 9, 2023
• Nick Cave on the artistic experienceMarch 8, 2023
• Derek Birdsall on convictionMarch 7, 2023
• Richard Hollis on being a designerMarch 6, 2023
• Ken Garland on pro bono workMarch 5, 2023
• Stephanie Steyer on Art ChantryMarch 4, 2023
• Kenya Hara on technologyMarch 3, 2023
• Kay Haring on Keith HaringMarch 2, 2023
• Denise Gonzales Crisp on capitalMarch 1, 2023
• Sidney Lumet on luckMarch 1, 2023
• Milton Glaser in 2020February 28, 2023
• Milton Glaser on professionalismFebruary 27, 2023
• Joel Markus on TV38February 26, 2023
• Maya Deren’s manifestoFebruary 25, 2023
• Zora Neale Hurston on researchFebruary 24, 2023
• Frank Frazetta’s ancedoteFebruary 23, 2023
• Kurt Vonnegut on booksFebruary 22, 2023
• Milton Glaser on art and designFebruary 21, 2023
• The Poster in PolandFebruary 20, 2023
• Lynda Barry on the artsFebruary 19, 2023
• Waldemar Świerzy on postersFebruary 18, 2023
• The Story of “O” by Herb LubalinFebruary 17, 2023
• Milton Glaser on ideasFebruary 16, 2023
• Josef Müller-Brockmann on designersFebruary 15, 2023
• Cipe Pineles on William GoldenFebruary 14, 2023
• Chantal Akerman on timeFebruary 13, 2023
• Bob Gill on echoesFebruary 12, 2023
• Ken Loach on despairFebruary 11, 2023
• Leonard Cohen on writingFebruary 10, 2023
• Corita Kent on printmakingFebruary 9, 2023
• Jules Feiffer on rejectionFebruary 8, 2023
• Virginia Woolf on beingFebruary 7, 2023
• Keith Haring on drawingFebruary 6, 2023
• Kurt Vonnegut on the richFebruary 5, 2023
• Zadie Smith on librariesFebruary 4, 2023
• Tim Sale and N. C. WyethFebruary 3, 2023
• Cipe Pineles on typographyFebruary 2, 2023
• Martin Scorsese on contentFebruary 2, 2023
• William Friedkin on being an artistFebruary 1, 2023
• Rules for Students and TeachersFebruary 1, 2023
• A Poem by Gwendolyn BrooksJanuary 31, 2023
• Tim Sale on drawingJanuary 30, 2023
• Anne Edwards on Katharine HepburnJanuary 29, 2023
• Jan Tschichold on typefacesJanuary 28, 2023
• Inés Estrada on powerJanuary 27, 2023
• Yasaburō Kuwayama on similaritiesJanuary 26, 2023
• Jiří Menzel on decorationJanuary 25, 2023
• Drusilla Adeline on one’s passionsJanuary 24, 2023
• Carin Goldberg on beingJanuary 23, 2023
• William Faulkner on workJanuary 22, 2023
• Claes Oldenburg on artJanuary 21, 2023
• Carin Goldberg on UlyssesJanuary 20, 2023
• On Yellow SubmarineJanuary 18, 2023
• Lorraine Louie and Vintage coversJanuary 17, 2023
• DK Holland on the first AIGA ConferenceJanuary 16, 2023
• Tony Palladino in LondonJanuary 14, 2023
• Kurt Vonnegut on problemsJanuary 12, 2023
• Sherwood Anderson on artJanuary 10, 2023
• Eddie Van Halen on practiceJanuary 7, 2023
• Michael Bierut on obviousJanuary 6, 2023
• Lizzie Borden on filmmakingJanuary 5, 2023
• Richard Hollis & Peter Saville at the WhitechapelJanuary 4, 2023
• Tony Palladino on the big ideaJanuary 3, 2023
• James Baldwin on talentJanuary 2, 2023
• James Baldwin on optimismJanuary 1, 2023
• David Lynch on doingDecember 31, 2022
• Virginia Woolf on the pastDecember 30, 2022
• Frank Pavich on JodorowskyDecember 29, 2022
• Walter Gropius at DeCordovaDecember 28, 2022
• Saul Bass on economicsDecember 26, 2022
• Ghosting by Andrea CohenDecember 25, 2022
• Jiří Menzel on compromiseDecember 24, 2022
• Robert Louis Stevenson on livingDecember 23, 2022
• František Vláčil on creativityDecember 22, 2022
• Ursula K. Le Guin on sharingDecember 21, 2022
• Jiří Menzel on new wavesDecember 20, 2022
• Christopher Wilson on ‘Ways of Seeing’December 19, 2022
• A Poem by William MartinDecember 18, 2022
• Fagen and MorriconeDecember 17, 2022
• Studs Terkel’s opening to ‘Working’December 16, 2022
• A Reminder from Smaller BeingsDecember 15, 2022
• Lynda Barry on momentsDecember 14, 2022
• R. O. Blechman on DisneyDecember 13, 2022
• Kurt Vonnegut on farting aroundDecember 12, 2022
• bell hooks on waitingDecember 11, 2022
• Christopher Alexander on adaptationDecember 10, 2022
• Jens Müller on Wolfgang SchmidtDecember 9, 2022
• Elizabeth Sandifer on fandomDecember 8, 2022
• On the key art for Star Wars (1977)December 7, 2022
• Lynda Barry on imagesDecember 6, 2022
• How Heinz Edelmann worksDecember 5, 2022
• Tim Sale on looking outside of comicsDecember 4, 2022
• Hans Hillmann and film postersDecember 2, 2022
• Ken Russell on his filmsDecember 1, 2022
• bell hooks on alonenessNovember 30, 2022
• Lynda Barry in 2022November 29, 2022
• Beatrice Loayza on Céline & Julie Go BoatingNovember 28, 2022
• Art Chantry in Punk PlanetNovember 27, 2022
• Austin Kleon on machinesNovember 26, 2022
• Tim Kreider on AINovember 25, 2022
• Richard O’Connor on clientsNovember 24, 2022
• John Carpenter on creativityNovember 23, 2022
• Kathleen Hanna in Punk PlanetNovember 22, 2022
• Ken Coupland on Saul BassNovember 21, 2022
• Policija by GórowskiNovember 20, 2022
• Lynda Barry on seeingNovember 19, 2022
• Theo Inglis on timelessnessNovember 18, 2022
• Nick Hornby on personal librariesNovember 17, 2022
• Ursula K. Le Guin on perfectionNovember 16, 2022
• Frank Bures on wisdomNovember 15, 2022
• David Byrne on progressNovember 14, 2022
• Wisława Szymborska on Hans Christian AndersenNovember 13, 2022
• Rebecca Solnit on workNovember 12, 2022
• Roger Ebert on tasteNovember 11, 2022
• Václav Havel on fearNovember 10, 2022
• Corita Kent on the commonplaceNovember 9, 2022
• Anne Lamott on successNovember 8, 2022
• James L. Brooks on decencyNovember 7, 2022
• Wisława Szymborska on factsNovember 6, 2022
• Marcel Duchamp on livingNovember 5, 2022
• Kurt Vonnegut on librariesNovember 4, 2022
• Calvin Tomkins on Marcel DuchampNovember 3, 2022
• Robert Louis Stevenson on neglectNovember 2, 2022
• Jean Renoir on artNovember 1, 2022
• Thoreau on walking in the woodsNovember 1, 2022
• Barbara Kruger on her approachOctober 31, 2022
• Paul Sahre on finding your own wayOctober 30, 2022
• Wendell Berry on divisionOctober 29, 2022
• On design historyOctober 28, 2022
• On Reid MilesOctober 27, 2022
• Christopher Reeve on cultureOctober 26, 2022
• Heather Havrilesky on being regularOctober 25, 2022
• R. O. Blechman on rejected workOctober 24, 2022
• Mariame Kaba on fatalismOctober 23, 2022
• Tschichold vs. BillOctober 22, 2022
• Rick Poynor on Pelham and KingOctober 21, 2022
• Richard Hollis on generationsOctober 20, 2022
• Louise Erdrich on lifeOctober 19, 2022
• Krzysztof Toeplitz on Polish PostersOctober 18, 2022
• Pearce Marchbank on Richard HollisOctober 17, 2022
• bell hooks on conformityOctober 16, 2022
• Lynch on LynchOctober 15, 2022
• Jenny Odell on timeOctober 14, 2022
• R. O. Blechman on David LevineOctober 13, 2022
• Designing The Rolling StonesOctober 13, 2022
• Manifesto for Maintenance ArtOctober 12, 2022
• Heather Havrilesky on your jobOctober 11, 2022
• Toni Morrison on friendshipsOctober 10, 2022
• Jenna Freedman on zinesOctober 9, 2022
• Rebecca Solnit on the pastOctober 8, 2022
• Milton Glaser on historyOctober 7, 2022
• Hollis & Brandt’s design exerciseOctober 6, 2022
• R. O. Blechman on pro bono jobsOctober 6, 2022
• Nikita Gill on livingOctober 5, 2022
• Philip B. Meggs on design historyOctober 4, 2022
• Rick Poynor on collectingOctober 3, 2022
• David Lynch on ageOctober 3, 2022
• Nina on zinesOctober 2, 2022
• Ed Emberley on feeling goodOctober 1, 2022
• John Carpenter on retiring from directingOctober 1, 2022
• Henry Miller on lifeSeptember 30, 2022
• John Alvin on letting goSeptember 29, 2022
• Alan Moore on the internetSeptember 28, 2022
• Joe Caroff on the 007 logoSeptember 27, 2022
• H. G. Wells on time machinesSeptember 26, 2022
• A Poem by Rose CookSeptember 25, 2022
• Vaughan Williams on originalitySeptember 24, 2022
• Saul Bass on design basicsSeptember 23, 2022
• Saul Bass on visionSeptember 22, 2022
• Chwast and Nicholas NicklebySeptember 21, 2022
• Stefan Sagmeister on bullshitSeptember 20, 2022
• John Carpenter on ReaganSeptember 19, 2022
• Heather Havrilesky on friendshipSeptember 18, 2022
• Albert Brooks on getting olderSeptember 17, 2022
• Helen Keller on ideasSeptember 16, 2022
• Garry Shandling on thinkingSeptember 15, 2022
• bell hooks on differencesSeptember 14, 2022
• Stefan Zweig on artistsSeptember 13, 2022
• Advice from an Art DirectorSeptember 12, 2022
• Elaine May on adaptingSeptember 11, 2022
• William Saunders on David KingSeptember 10, 2022
• Mark Fisher on boredomSeptember 9, 2022
• Octavia Butler on habitSeptember 8, 2022
• Art Chantry on cultureSeptember 7, 2022
• John Porcellino on doingSeptember 6, 2022
• Susan Orlean on imitationSeptember 5, 2022
• A Poem by Robert L. PostonSeptember 5, 2022
• George Saunders on flawsSeptember 4, 2022
• Sherry Turkle on empathySeptember 3, 2022
• Dan Brooks on cultureSeptember 2, 2022
• Rebecca Solnit on icebergsSeptember 1, 2022
• Art Chantry on successAugust 31, 2022
• Lisa Hanawalt’s adviceAugust 31, 2022
• Dorothy Parker and deadlinesAugust 31, 2022
• Ken Garland on studentsAugust 30, 2022
• Tomi Ungerer on The Three RobbersAugust 29, 2022
• Martin Scorsese on supply and demandAugust 28, 2022
• Enzo Mari on designersAugust 27, 2022
• Henry David Thoreau on lifeAugust 26, 2022
• Aggie Toppins on design historyAugust 25, 2022
• Barbara Kruger on words and picturesAugust 24, 2022
• Goethe on love and hateAugust 23, 2022
• Christopher McQuarrie on qualityAugust 22, 2022
• Ursula K. Le Guin on commodityAugust 21, 2022
• Jon Kabat-Zinn on surfingAugust 20, 2022
• Richard Hollis on plumbingAugust 19, 2022
• John Carpenter on scoringAugust 19, 2022
• James Baldwin on oneselfAugust 18, 2022
• Heather Havrilesky on joyAugust 17, 2022
• Jean Cocteau on the commonplaceAugust 16, 2022
• John Carpenter on Halloween IIAugust 15, 2022
• Schopenhauer on readingAugust 14, 2022
• R. O. Blechman on illustrationAugust 14, 2022
• Martin Scorsese on moviesAugust 13, 2022
• Brian Eno on mediumsAugust 12, 2022
• Albert Einstein on successAugust 11, 2022
• Grant Morrison on fictionAugust 11, 2022
• Debbie Harry by Chris SteinAugust 10, 2022
• Sidney Lumet on the “kitchen sink”August 10, 2022
• Laura Dassow Walls on Marilynne RobinsonAugust 9, 2022
• Drew Struzan on The ThingAugust 8, 2022
• Saul Bass on The Man with the Golden ArmAugust 7, 2022
• Laurie Anderson’s Three RulesAugust 6, 2022
• Martin Scorsese on movie postersAugust 5, 2022
• Ursula K. Le Guin on peculiaritiesAugust 4, 2022
• Tim Kreider on survivalAugust 3, 2022
• R. O. Blechman on talentAugust 2, 2022
• Toni Morrison on timeAugust 1, 2022
• Félix Beltrán on successAugust 1, 2022
• Liz Phair on inventionJuly 31, 2022
• Emily Dickinson on lifeJuly 30, 2022
• Mary Oliver on worryJuly 29, 2022
• Kurt Vonnegut on softnessJuly 28, 2022
• Colleen Tighe on creativityJuly 27, 2022
• Ray Bradbury on inspirationJuly 26, 2022
• Antonio Machado on doing things wellJuly 25, 2022
• Art Chantry on working todayJuly 24, 2022
• Susan Sontag on limitationsJuly 23, 2022
• William Drenttel on heroesJuly 22, 2022
• Jiří Menzel on filmmakingJuly 21, 2022
• Joseph Heller on workingJuly 20, 2022
• Likes by William Addison DwigginsJuly 19, 2022
• Don Hertzfeldt on enjoymentJuly 18, 2022
• An aphorism from Le LoiJuly 17, 2022
• R.O. Blechman on advertisingJuly 16, 2022
• Walter Isaacson on noticingJuly 15, 2022
• Art Chantry on originalityJuly 14, 2022
• Heather Havrilesky on workingJuly 13, 2022
• Fletcher/Forbes/Gill on standardsJuly 12, 2022
• Helen Keller on beliefJuly 11, 2022
• Mary Oliver and EmersonJuly 10, 2022
• Elliott Erwitt on noticingJuly 9, 2022
• Howard Gossage on committeesJuly 8, 2022
• Tove Jansson on writer’s blockJuly 7, 2022
• Marcel Duchamp on criticismJuly 6, 2022
• Ken Russell going about his businessJuly 5, 2022
• Ursula K. Le Guin on sanityJuly 4, 2022
• David Lynch on changeJuly 3, 2022
• Richard Hollis on Robin FiorJuly 2, 2022
• Jay Shaw on how to design fasterJuly 1, 2022
• Corita Kent on junkJune 30, 2022
• Matthew Evans on designJune 29, 2022
• Joshua Jennifer Espinoza on hauntingsJune 28, 2022
• Saul Bass on design feesJune 27, 2022
• Saul Bass on experienceJune 25, 2022
• Amy Ng on consumptionJune 24, 2022
• Wisława Szymborska on knowingJune 23, 2022
• Wiktor Sadowski on Henryk TomaszewskiJune 22, 2022
• David King on form and contentJune 21, 2022
• Milton Glaser on design basicsJune 20, 2022
• Allowables by Nikki GiovanniJune 19, 2022
• April Greiman on sharingJune 18, 2022
• Oscar Wilde on artJune 17, 2022
• Toni Morrison on lifeJune 16, 2022
• Margo Chase on DraculaJune 15, 2022
• Mary Oliver: Don’t HesitateJune 14, 2022
• Wiktor Sadowski on clientsJune 13, 2022
• Peter Saville on The WhitechapelJune 12, 2022
• Richard Hollis on alternativesJune 11, 2022
• John McConnell on cover designJune 10, 2022
• Some Advice from Nazım HikmetJune 9, 2022
• Andrei Tarkovsky on hopeJune 8, 2022
• Art Chantry on design historyJune 7, 2022
• Václav Havel on idealsJune 6, 2022
• George Lucas on supportJune 5, 2022
• Maurice Sendak on artJune 4, 2022
• Miya Tokumitsu on doing what you loveJune 3, 2022
• Improving My GermanJune 2, 2022
• Tim Kreider on givingJune 1, 2022
• Lou Dorfsman on design philosophyJune 1, 2022
• Shaun Dew on ideasMay 27, 2022
• Albert Camus on experienceMay 26, 2022
• bell hooks on criticismMay 25, 2022
• Jane Kenyon’s adviceMay 24, 2022
• John McConnell on design reversalMay 23, 2022
• Kurt Vonnegut on lifeMay 21, 2022
• Wisława Szymborska on booksMay 20, 2022
• Maurice Sendak on lifeMay 19, 2022
• Susan Sontag on opinionsMay 18, 2022
• Marc Maron on meritocracyMay 17, 2022
• Brian Eno on beginningsMay 16, 2022
• George Saunders on lessMay 15, 2022
• Henry James on likingMay 14, 2022
• Czesław Miłosz on poetryMay 13, 2022
• Henry James on lifeMay 12, 2022
• Neil Gaiman on machinesMay 11, 2022
• W.E.B. Du Bois on prosperityMay 10, 2022
• Henryk Tomaszewski on postersMay 9, 2022
• B.D. McClay on maintenanceMay 8, 2022
• Wendell Berry on freedomMay 7, 2022
• Heather Cass White on booksMay 6, 2022
• Jenny Offill on certaintyMay 5, 2022
• Affiche magazine on film postersMay 4, 2022
• Paul Bacon on book jacketsMay 3, 2022
• Bob Peak on his careerMay 2, 2022
• The Polish Poster schoolMay 1, 2022
• The Two-Headed CalfApril 30, 2022
• Barbara Kruger on social mediaApril 29, 2022
• Ursula K. Le Guin reassuranceApril 28, 2022
• The Reluctant Celebrity of Sally RooneyApril 27, 2022
• Kaitlin Byrd on timeApril 26, 2022
• Shep Gordon on fameApril 25, 2022
• Linda Holmes on surrenderingApril 24, 2022
• David Koenig on ColumboApril 23, 2022
• Jessa Crispin on improvementApril 22, 2022
• Waldemar Świerzy on being a studentApril 21, 2022
• Stalker on softnessApril 20, 2022
• Ruth Artmonsky on publishingApril 19, 2022
• Ron Moore on Battlestar GalacticaApril 19, 2022
• Bernie Fuchs on illustrationApril 18, 2022
• Archie Boston on problem solvingApril 17, 2022
• Saul Bass on strugglingApril 16, 2022
• Virginia Woolf on happinessApril 16, 2022
• Wolfgang Weingart on typographyApril 15, 2022
• Ray Bradbury on librariesApril 14, 2022
• John A. Powell on softnessApril 13, 2022
• Hilton Als on ourselvesApril 12, 2022
• Lynda Barry on likingApril 10, 2022
• Dickinson on praiseApril 9, 2022
• Studs Terkel on librariesApril 8, 2022
• James Kochalka on craftApril 7, 2022
• John McConnell on design alternativesApril 6, 2022
• Iris Murdoch on timeApril 5, 2022
• Marcel Duchamp on loveApril 4, 2022
• Mark Twain on plagiarismApril 3, 2022
• John Miles on Penguin booksApril 2, 2022
• T.H. White on learningApril 1, 2022
• Charley Locke on commonplace booksMarch 27, 2022
• Questlove on collectingMarch 27, 2022
• Saul Bass on photographyMarch 26, 2022
• Ursula K. Le Guin on resistanceMarch 25, 2022
• Corita Kent on peopleMarch 24, 2022
• Henry Moore on retirementMarch 23, 2022
• Thilo von Debschitz on Joe CaroffMarch 22, 2022
• Mieczysław Wasilewski on Polish postersMarch 21, 2022
• Rebecca Makkai on artMarch 20, 2022
• Amos Kennedy, Jr. on timeMarch 19, 2022
• Waldemar Świerzy on clientsMarch 18, 2022
• William Golden on designMarch 17, 2022
• Ursula Franklin on being quietMarch 15, 2022
• Lynda Barry on loveMarch 14, 2022
• Matthew Specktor on talentMarch 13, 2022
• Lawrence Ratzkin on book jacketsMarch 13, 2022
• Czechoslovak Cinema Posters, 1969March 13, 2022
• Lucinda Cowell & Aaron Michaelson on Teen WolfMarch 13, 2022
• Lynda Barry on drawingMarch 11, 2022
• Alena Smith on hopeMarch 10, 2022
• Heather Havrilesky on workMarch 10, 2022
• Martin Scorsese on studyingMarch 9, 2022
• In Conversation: Akiko StehrenbergerMarch 8, 2022
• John Lurie on paintingMarch 7, 2022
• Peter Hook on Unknown PleasuresMarch 6, 2022
• bell hooks on critiqueMarch 6, 2022
• Neal Ashby on the Parental Advisory LogoMarch 6, 2022
• Christopher Wilson on Richard HollisMarch 5, 2022
• George Andrade on City SlickersMarch 4, 2022
• Kelli Anderson on meritocracyMarch 3, 2022
• Tim Kreider on immersionMarch 2, 2022
• Henry Beard on luckMarch 1, 2022
• Mel Brooks on quittingMarch 1, 2022
• How to Not Be a PerfectionistFebruary 28, 2022
• Matt Zoller Seitz on nothingFebruary 27, 2022
• Robert H. Justman on having lessFebruary 26, 2022
• Martin Scorsese on being an artistFebruary 25, 2022
• George Lucas on being an artistFebruary 24, 2022
• Grace Paley on power and wealthFebruary 23, 2022
• The Carrier Bag Theory of FictionFebruary 22, 2022
• Ann Patchett on compostFebruary 21, 2022
• George Washington Carver on lifeFebruary 20, 2022
• Toni Morrison on jobsFebruary 19, 2022
• Joy James on expectationsFebruary 18, 2022
• Toni Morrison on political artFebruary 17, 2022
• Hope in Jane Campion’s Bright StarFebruary 16, 2022
• John Cage on the empty studioFebruary 15, 2022
• Richard Feynman on changeFebruary 14, 2022
• Bob Gill on the ordinaryFebruary 13, 2022
• Helen Shaver on kindnessFebruary 12, 2022
• Maya Angelou on knowingFebruary 11, 2022
• Annie Dillard on extremesFebruary 10, 2022
• Dave Hickey on being blown awayFebruary 9, 2022
• Milton Glaser on responsibilityFebruary 8, 2022
• Carl Pope on cultureFebruary 7, 2022
• Marcel Duchamp on lazinessFebruary 6, 2022
• Henry David Thoreau on forgettingFebruary 5, 2022
• David Pelham on marketingFebruary 4, 2022
• Tibor Kalman on aestheticsFebruary 3, 2022
• Neil Postman on newnessFebruary 2, 2022
• Bob Gill on clientsFebruary 1, 2022
• Paul Rand on rubbishFebruary 1, 2022
• Jeffrey Catherine Jones on fearJanuary 24, 2022
• Jeffrey Pfeffer on workJanuary 23, 2022
• A Short Lesson in Perspective by Linds ReddingJanuary 22, 2022
• William Friedkin on failureJanuary 21, 2022
• James Victore on strengthsJanuary 20, 2022
• Roger Zelazny on the selfJanuary 19, 2022
• Tibor Kalman on corporationsJanuary 18, 2022
• Bill Watterson on meaningJanuary 17, 2022
• Liv Ullmann on beautyJanuary 16, 2022
• Michael Bierut on practiceJanuary 15, 2022
• Thoreau on the presentJanuary 14, 2022
• Sean Adams on design historyJanuary 13, 2022
• Josef Müller-Brockmann on valuesJanuary 12, 2022
• Henrietta Barnett on fair wagesJanuary 11, 2022
• Howard Zinn on basic needsJanuary 10, 2022
• Robert Bresson on crueltyJanuary 9, 2022
• Virginia Woolf on lifeJanuary 8, 2022
• Nam June Paik on technologyJanuary 7, 2022
• Mick Smiley on accomplishmentsJanuary 6, 2022
• Audre Lorde on intentionsJanuary 5, 2022
• Peter Saville on feedbackJanuary 4, 2022
• Toni Morrison on workJanuary 3, 2022
• Gary Panter on social mediaJanuary 2, 2022
• Henryk Tomaszewski on the Polish poster schoolJanuary 1, 2022
• Jiří Menzel on restraintsDecember 26, 2021
• Heather Havrilesky on survivalDecember 25, 2021
• Ursula K. Le Guin on what you haveDecember 24, 2021
• Joan Didion on losing touchDecember 23, 2021
• Illustration: Aspects and DirectionsDecember 23, 2021
• Peter Saville on BeliefDecember 22, 2021
• Scourge of the GurusDecember 22, 2021
• Milton Glaser on poster illustrationDecember 21, 2021
• Robert Massin on typefacesDecember 19, 2021
• bell hooks on hopeDecember 18, 2021
• NobodyDecember 18, 2021