Archives

• David Lynch on lifeJanuary 16, 2025
• James Baldwin on booksJanuary 16, 2025
• Heather Havrilesky on friendsJanuary 15, 2025
• Jean Renoir on perfectionJanuary 7, 2025
• Woody Pirtle on design ideasJanuary 5, 2025
• James Victore on truthJanuary 4, 2025
• Chantal Akerman on timeJanuary 3, 2025
• Johnnie To on Throw DownJanuary 2, 2025
• Ken Russell on the pastDecember 29, 2024
• Gabriel García Márquez on happinessDecember 22, 2024
• François Truffaut on moviesDecember 21, 2024
• Emily Dickinson on artDecember 20, 2024
• Susan Sontag in 1964-1980December 19, 2024
• Lydia Davis on timeDecember 18, 2024
• Gary Panter on making artDecember 17, 2024
• Stevie Nicks on the internetDecember 16, 2024
• Marcel Duchamp on paintingDecember 14, 2024
• Shirley Clarke on being hipDecember 13, 2024
• Claude Adrien Helvétius on passionDecember 12, 2024
• Michel Gondry on processDecember 11, 2024
• Marta Sylvestrová on Josef VyleťalDecember 10, 2024
• Susan Sontag on life and deathDecember 9, 2024
• Judy Groves on David KingDecember 8, 2024
• Jan Tschichold on ‘progress’December 7, 2024
• Peter Bogdanovich on moviesDecember 6, 2024
• Hayao Miyazaki on drawingDecember 5, 2024
• Kurt Vonnegut on Free EnterpriseDecember 4, 2024
• Roz Chast on being differentDecember 3, 2024
• Phil Baines on design educationDecember 1, 2024
• Karrie Jacobs on typographyNovember 30, 2024
• Al Jaffee on being an artistNovember 29, 2024
• Krzysztof Kieślowski on artistsNovember 28, 2024
• Alan Moore on magic and artNovember 27, 2024
• In Case of Power Outage by Lynda BarryNovember 26, 2024
• Andrei Sinyavsky on paperNovember 25, 2024
• Marion Milner on visual experiencesNovember 24, 2024
• Rick Valicenti on the design professionNovember 23, 2024
• Audre Lorde on the generation gapNovember 21, 2024
• Joseph Fasano on AINovember 20, 2024
• Pablo Ferro and Stanley KubrickNovember 19, 2024
• Věra Chytilová’s beliefsNovember 18, 2024
• Kurt Vonnegut on practicing an artNovember 17, 2024
• Miroslav Lamač on artNovember 16, 2024
• Thoreau on friendshipNovember 15, 2024
• Mary Ruefle on writing & drawingNovember 14, 2024
• Zdeněk Palcr’s abstract poster designNovember 13, 2024
• Alan Moore on artNovember 13, 2024
• Emma Goldman on freedomNovember 11, 2024
• Chuck Jones on happy accidentsNovember 10, 2024
• On Czechoslovak Film PostersNovember 9, 2024
• Tibor Kalman and self-designNovember 8, 2024
• Václav Havel on lifeNovember 7, 2024
• Fritz Lang on timeNovember 7, 2024
• Of the Empire by Mary OliverNovember 6, 2024
• Zdzisław Schubert on Polish postersNovember 5, 2024
• Jean Renoir on personalityNovember 4, 2024
• Peter Bogdanovich on filmNovember 3, 2024
• James Victore on choiceNovember 2, 2024
• Wisława Szymborska on the worldNovember 1, 2024
• Don Hertzfeldt in 2024October 31, 2024
• Mary Ruefle on rereadingOctober 30, 2024
• Stanisław Jerzy Lec on rock bottomOctober 24, 2024
• Paul Siff on designersOctober 23, 2024
• Bill Watterson in 1990October 22, 2024
• E.M. Forster on sensitive peopleOctober 21, 2024
• James Victore on perfectionOctober 20, 2024
• Edith Wharton on agingOctober 19, 2024
• On Saul Bass & AssociatesOctober 18, 2024
• Emily Dickinson on livingOctober 17, 2024
• Steven Heller on Alexey BrodovitchOctober 16, 2024
• Children of Our Age by Wisława SzymborskaOctober 15, 2024
• Billy Wilder on fancinessOctober 14, 2024
• Mary Ruefle on knowingOctober 13, 2024
• Carin Goldberg in 2010October 12, 2024
• Kalman/Miller/Jacobs on appropriationOctober 11, 2024
• Alan Moore on outside influencesOctober 10, 2024
• Roz Chast on rejectionOctober 9, 2024
• Anton von Webern on lifeOctober 8, 2024
• Mr. Keedy on ModernismSeptember 21, 2024
• Quentin Newark on readingSeptember 20, 2024
• Steven Heller on Edward GoreySeptember 19, 2024
• Saul Bass on feelingSeptember 18, 2024
• Albert Camus on timeSeptember 17, 2024
• Susan Seidelman on advertisingSeptember 16, 2024
• Herb Lubalin on legibilitySeptember 15, 2024
• Wisława Szymborska on goodnessSeptember 14, 2024
• Steven Heller on designer Paul BaconSeptember 13, 2024
• Robert Frost on sinceritySeptember 12, 2024
• Ray Bradbury on being joyfulSeptember 11, 2024
• Mary Ruefle on readingSeptember 10, 2024
• René Magritte on magicSeptember 9, 2024
• Gerard Huerta on freelancingSeptember 8, 2024
• Rudy VanderLans on design causesSeptember 7, 2024
• Tom Kovacs on Polish postersSeptember 6, 2024
• Věra Chytilová on existenceSeptember 5, 2024
• Hayden Carruth on knowledgeSeptember 4, 2024
• Kierkegaard on educationSeptember 3, 2024
• Ted Chiang on A.I.September 2, 2024
• Franz Kafka on one’s lifeSeptember 1, 2024
• Harlan Ellison on jokingAugust 26, 2024
• J.G. Ballard on Crash!August 25, 2024
• Emily Dickinson on significanceAugust 24, 2024
• Emma Goldman on wealthAugust 20, 2024
• Robin Wood on the pastAugust 19, 2024
• René Magritte on enchantmentAugust 18, 2024
• Mary Ruefle on Emily DickinsonAugust 17, 2024
• Susan Seidelman on criticismAugust 15, 2024
• Gunter Rambow in 1997August 14, 2024
• Mary Ruefle on solitudeAugust 13, 2024
• Steven Soderbergh on stealingAugust 10, 2024
• Alex Cox on being an artistAugust 2, 2024
• Hayao Miyazaki on wagesAugust 1, 2024
• Emily Dickinson on fameJuly 28, 2024
• Věra Chytilová on making commercialsJuly 27, 2024
• Richard Hollis on getting workJuly 26, 2024
• Louise Glück on despairJuly 25, 2024
• Wim Wenders on filmJuly 24, 2024
• William Pope.L’s advice to artistsJuly 23, 2024
• Susan Seidelman on opportunitiesJuly 22, 2024
• René Magritte on successJuly 21, 2024
• Mary Ruefle on writingJuly 20, 2024
• Brian Eno on caringJuly 13, 2024
• Kurt Vonnegut on outside influencesJuly 12, 2024
• Northern Exposure on moviesJuly 8, 2024
• Emily Dickinson on being too muchJuly 5, 2024
• John Porcellino on alternativesJuly 4, 2024
• Toni Morrison on fascismJuly 3, 2024
• J.G. Ballard on Star WarsJune 13, 2024
• Tom Jennings on being an outsiderJune 12, 2024
• Lynda Barry on gazingJune 11, 2024
• Whilce Portacio on learning by seeingJune 9, 2024
• Ursula K. Le Guin on agingJune 8, 2024
• Michael Bierut on non-designJune 7, 2024
• Emily Dickinson’s Own SocietyJune 6, 2024
• Umberto Eco on booksJune 5, 2024
• Scott McCloud on mini-comicsJune 4, 2024
• Richard Linklater on passionJune 3, 2024
• Věra Chytilová in 2004June 2, 2024
• Louise Glück on changeJune 1, 2024
• Paul Rand on working with your handsMay 31, 2024
• Sarah Leavitt on creatingMay 30, 2024
• Jacques Rivette Goes BoatingMay 29, 2024
• Bonnie Friedman on envyMay 28, 2024
• Věra Chytilová on interestsMay 27, 2024
• Susan Sontag on movie stillsMay 26, 2024
• George Miller on beautyMay 25, 2024
• W. A. Dwiggins in 1905May 24, 2024
• Kurt Vonnegut on styleMay 23, 2024
• June Jordan in 1991May 22, 2024
• Lorraine Wild on cultureMay 21, 2024
• Neal Adams on contractsMay 20, 2024
• Jiří Menzel in 2004May 19, 2024
• Dan Friedman on designMay 18, 2024
• Michael C Place on design criticismMay 17, 2024
• Comm Arts on design arroganceMay 16, 2024
• Frank Stella on pressureMay 15, 2024
• Grant Morrison’s film influencesMay 14, 2024
• Louise Glück on praiseMay 13, 2024
• David Lynch on projectsMay 12, 2024
• Kurt Vonnegut on readingMay 11, 2024
• Graphis on Polish postersMay 10, 2024
• Barbara Stauffacher Solomon in 2021May 9, 2024
• Steve Albini on being paid like a plumberMay 8, 2024
• Hermann Hesse on the selfMay 7, 2024
• Richard Hollis in 2006May 6, 2024
• Kyle Baker on big companiesMay 5, 2024
• Bill Black on deadlinesMay 4, 2024
• Bill Sienkiewicz on artMay 3, 2024
• Barbara Stauffacher Solomon on designMay 2, 2024
• Fyodor Dostoevsky on nothingMay 1, 2024
• Bob Gill on noise and ideasApril 30, 2024
• Ken Russell on silent filmsApril 29, 2024
• Kurt Vonnegut on artistsApril 28, 2024
• Martin Scorsese on momentsApril 27, 2024
• Andrzej Pągowski in 2011April 26, 2024
• Derek Birdsall on index cardsApril 25, 2024
• Věra Chytilová on DaisesApril 24, 2024
• Barney Bubbles’ rejectionApril 23, 2024
• Lou Harrison’s principlesApril 22, 2024
• Ken Loach on the working classApril 21, 2024
• Kurt Vonnegut on enthusiasmApril 20, 2024
• Emily Dickinson on talkingApril 19, 2024
• James Victore on sketchingApril 18, 2024
• Anne Lamott on agingApril 17, 2024
• Angela Davis on imprisonmentApril 16, 2024
• John Waters on being richApril 15, 2024
• Kurt Vonnegut on castlesApril 14, 2024
• Anne Morrow Lindbergh on changeApril 13, 2024
• Huey Lewis in 2024April 12, 2024
• The TCM MantraApril 12, 2024
• Milton Glaser on clichésApril 11, 2024
• James Victore in 2016April 10, 2024
• Emily Dickinson on loveApril 10, 2024
• Barney Bubbles in 1981April 9, 2024
• Peter Ahlberg on Carin GoldbergApril 9, 2024
• Dave Gibbons on talentApril 8, 2024
• Len Wein on inspirationApril 7, 2024
• Peter Saville in 2022April 6, 2024
• Joanna Field on understandingApril 6, 2024
• Ursula K. Le Guin on deservingApril 5, 2024
• Dawn Baillie on Silence of the LambsApril 4, 2024
• John Barth on oneselfApril 3, 2024
• Ken Loach on KesApril 3, 2024
• Chris Pullman on design at PBSApril 2, 2024
• Minta Spencer on artistsApril 1, 2024
• Milton Glaser in 2008March 31, 2024
• Kurt Vonnegut on lonelinessMarch 31, 2024
• Isabella Rossellini on joyMarch 30, 2024
• Véronique Vienne on art directorsMarch 29, 2024
• Robert Bresson on working for oneselfMarch 29, 2024
• François Truffaut in 1957March 28, 2024
• Ken Loach on moviesMarch 28, 2024
• Blaise Pascal on diversionsMarch 27, 2024
• Derek Birdsall on design & thinkingMarch 26, 2024
• James Baldwin on painMarch 26, 2024
• Lynda Barry on practiceMarch 25, 2024
• James Victore on TomaszewskiMarch 24, 2024
• Mary Ruefle on understandingMarch 23, 2024
• Wisława Szymborska in 1996March 22, 2024
• Kyle Baker on working with Milton GlaserMarch 21, 2024
• Virginia Woolf’s OrlandoMarch 21, 2024
• George Pérez on prideMarch 20, 2024
• Alan Moore on inspirationMarch 19, 2024
• Marc Silvestri on tight schedulesMarch 18, 2024
• Iris Apfel on friendshipMarch 17, 2024
• Po on UmmagummaMarch 16, 2024
• Sam Kieth on betterMarch 16, 2024
• Youssef Chahine on being an artistMarch 15, 2024
• Christopher Nolan on the internetMarch 14, 2024
• Virginia Woolf on oneselfMarch 14, 2024
• Martin Scorsese on awardsMarch 13, 2024
• Walt Simonson on drawingMarch 12, 2024
• Steve Rude on burnoutMarch 11, 2024
• Dinos Christianopoulos on awardsMarch 11, 2024
• Wendy Pini on learningMarch 10, 2024
• Charles Vess on influencesMarch 10, 2024
• Frank Frazetta on artMarch 9, 2024
• Akira Toriyama, 1955-2024March 8, 2024
• These Poems by June JordanMarch 7, 2024
• Paul Rand’s advice to studentsMarch 7, 2024
• Roger Ebert on the familiarMarch 6, 2024
• Tom Waits on fast / cheap / goodMarch 5, 2024
• René Ferracci on movie postersMarch 4, 2024
• Montaigne on learningMarch 3, 2024
• Milton Glaser in 1989March 2, 2024
• Virginia Woolf to Vita Sackville-WestMarch 1, 2024
• Jacqueline Casey & MapplethorpeFebruary 29, 2024
• Andrzej Pągowski in 2009February 28, 2024
• John Sorbie on Polish film postersFebruary 27, 2024
• Ken Loach on despairFebruary 26, 2024
• Milton Glaser and microwavesFebruary 25, 2024
• Lou Dorfsman on creativityFebruary 24, 2024
• June Jordan on moralityFebruary 23, 2024
• W.B. Yeats on magicFebruary 22, 2024
• Jenny Holzer in 1991February 21, 2024
• Howard Hawks on directingFebruary 21, 2024
• Stay Close to AnythingFebruary 20, 2024
• Lessons from UbuWebFebruary 19, 2024
• Lou Danziger on processFebruary 18, 2024
• Lynda Barry on comp noteboksFebruary 17, 2024
• Alan Fletcher on decoratingFebruary 16, 2024
• Austin Kleon on seekingFebruary 15, 2024
• Scutter and Maxwell on trailersFebruary 14, 2024
• James R. Russo on Jacques RivetteFebruary 13, 2024
• Rick Poynor on The Debate of ’72February 13, 2024
• Poster Pricing in 2005February 12, 2024
• Sylvia Plath on being contentFebruary 11, 2024
• Jacques Rivette on Céline and JulieFebruary 10, 2024
• Rudy VanderLans on computersFebruary 9, 2024
• Mario Monicelli on The OrganizerFebruary 8, 2024
• June Jordan on writingFebruary 7, 2024
• Wendell Berry on machinesFebruary 6, 2024
• Martin Scorsese on cultureFebruary 6, 2024
• Andrzej Pągowski in 1996February 5, 2024
• Lorraine Wild on authenticityFebruary 5, 2024
• Tim Kreider on audiencesFebruary 4, 2024
• Milton Glaser on the role of designFebruary 4, 2024
• Tim Sale on critiqueFebruary 3, 2024
• Greta Gerwig on watching moviesFebruary 2, 2024
• Jules Feiffer on criticismFebruary 2, 2024
• Heinz Edelmann on design vs. artFebruary 1, 2024
• Herbie Hancock on being humanJanuary 31, 2024
• Søren Kierkegaard on walkingJanuary 30, 2024
• René Magritte on his interestsJanuary 29, 2024
• Virginia Woolf on being yourselfJanuary 28, 2024
• Andrzej Pągowski in 1993January 27, 2024
• Jenn Shapland on thin skinJanuary 27, 2024
• Hanif Abdurraqib on minding one’s businessJanuary 26, 2024
• John Holt on learningJanuary 26, 2024
• Otto Storch on TypeJanuary 25, 2024
• Ursula K. Le Guin on darknessJanuary 24, 2024
• Andrzej Pągowski in 1992January 23, 2024
• Mariusz Miodek on Polish PostersJanuary 22, 2024
• David Laufer meets Herb LubalinJanuary 22, 2024
• Karrie Jacobs on design trendsJanuary 21, 2024
• Thoreau on your own drummerJanuary 20, 2024
• Hans Hillmann on his workJanuary 19, 2024
• How To Feel Miserable As An ArtistJanuary 19, 2024
• Terry Pratchett on ourselvesJanuary 18, 2024
• Martin Scorsese on being aliveJanuary 17, 2024
• Franciszek Starowieyski on processJanuary 16, 2024
• Tron’s Logo DesignJanuary 15, 2024
• John Holt on being a studentJanuary 14, 2024
• Andrzej Pągowski in 1989January 13, 2024
• Sheila Heti on timeJanuary 13, 2024
• Possibilities by Wisława SzymborskaJanuary 12, 2024
• Akiko Stehrenberger on rejectionJanuary 12, 2024
• Andrzej Pągowski in 1988January 11, 2024
• John Berger on publicityJanuary 10, 2024
• Jack Davis on routineJanuary 9, 2024
• Andrzej Pągowski in 1984January 8, 2024
• Ken Russell on Savage MessiahJanuary 7, 2024
• Manuel Gasser on Polish postersJanuary 6, 2024
• Sean Adams on facesJanuary 5, 2024
• David Lynch on going outJanuary 4, 2024
• Heather Havrilesky on fearJanuary 3, 2024
• Gilda Farrell in Design for LivingJanuary 2, 2024
• Fyodor Dostoyevsky on tyrannyJanuary 1, 2024
• Martin Luther King Jr. on AmericaDecember 31, 2023
• Patricia Lockwood on nostalgiaDecember 30, 2023
• HushingDecember 29, 2023
• John Berger on happinessDecember 28, 2023
• Krzysztof Kieślowski on postersDecember 27, 2023
• Annie Dillard on readingDecember 26, 2023
• Rebecca Solnit on efficiencyDecember 25, 2023
• Lynda Barry on writer’s blockDecember 24, 2023
• Tomás Vlcek on Czech PostersDecember 23, 2023
• Roman Cieślewicz on his workDecember 22, 2023
• Designisms by Jennifer MorlaDecember 21, 2023
• Anne Lamott on changeDecember 20, 2023
• Marilynne Robinson on artDecember 19, 2023
• Andrzej Pągowski on postersDecember 18, 2023
• Milton Glaser on businessDecember 18, 2023
• Sukhdev Sandhu on zinesDecember 17, 2023
• James Victore on postersDecember 16, 2023
• Larry McMurtry on being MinorDecember 16, 2023
• Jacqueline Casey on styleDecember 15, 2023
• David Fincher on craftDecember 15, 2023
• Herman Melville on humanityDecember 14, 2023
• Brian Eno in 2023December 13, 2023
• Rainer Maria Rilke on not knowingDecember 12, 2023
• Rick Poynor on design authorshipDecember 11, 2023
• Lynda Barry on concentrationDecember 10, 2023
• Louise Glück on writers blockDecember 10, 2023
• Milton Glaser on fundamentalsDecember 9, 2023
• Nick Hornby on favoritesDecember 9, 2023
• Maurice Sendak on styleDecember 8, 2023
• David Barringer on booksDecember 7, 2023
• If I Must DieDecember 7, 2023
• Alexandra Lange on Walter GropiusDecember 6, 2023
• George Tscherny in 1969December 5, 2023
• Kazuo Ishiguro on storiesDecember 4, 2023
• Arnold Schwartzman on originalityDecember 3, 2023
• We grow accustomed to the DarkDecember 2, 2023
• Paula Scher on ageismDecember 1, 2023
• Thoreau on being outdoorsNovember 30, 2023
• Anne Lamott on lighthousesNovember 29, 2023
• Wendell Berry on sanityNovember 28, 2023
• Charles Schulz on lifeNovember 27, 2023
• Peter Mendelsund on imitationNovember 26, 2023
• Olivia Laing on John BergerNovember 25, 2023
• John Holt on timeNovember 24, 2023
• A Critical Guide to Design HistoryNovember 23, 2023
• Linda Fennimore on shynessNovember 22, 2023
• George Lucas on writingNovember 21, 2023
• Don Hertzfeldt in 2021November 20, 2023
• Barbara Kruger on accelerationNovember 19, 2023
• John Steinbeck on slowing downNovember 18, 2023
• Thoreau on working hardNovember 17, 2023
• Heather Havrilesky on peersNovember 16, 2023
• Toni Morrison on being YouNovember 15, 2023
• Tony Zhou on pulling from the pastNovember 14, 2023
• Stan Rizzo, art directorNovember 13, 2023
• Robert Louis Stevenson on idlenessNovember 12, 2023
• Helen Keller on originalityNovember 11, 2023
• Marwān Makhkhūl on poetryNovember 10, 2023
• Louise Glück on lifeNovember 9, 2023
• Martin Scorsese on ‘After Hours’November 8, 2023
• Emily Wilson on The IliadNovember 7, 2023
• Daniel Clowes on comicsNovember 6, 2023
• Tom Spurgeon on artNovember 5, 2023
• Luke Sullivan on notebooksNovember 4, 2023
• Jenny Odell on nothingNovember 4, 2023
• Real Genius on loving your workNovember 3, 2023
• Michael Bierut on design criticismNovember 3, 2023
• Advice by Charles EamesNovember 2, 2023
• Lynda Barry on beingNovember 1, 2023
• Rebecca Solnit on empathyOctober 31, 2023
• Robert Irwin on learningOctober 30, 2023
• Louise Glück on pleasureOctober 29, 2023
• Michael Palin on diariesOctober 28, 2023
• John Carpenter on his legacyOctober 27, 2023
• A short letter by Emily DickinsonOctober 26, 2023
• Martin Scorsese on “the old stuff”October 25, 2023
• Bill Withers on being AlrightOctober 25, 2023
• Saul Steinberg on progressOctober 24, 2023
• Abel Ferrara on being an artistOctober 23, 2023
• Helen Fagin on dreamsOctober 22, 2023
• Designs by Gilbert LesserOctober 21, 2023
• Christopher Nolan on David HockneyOctober 21, 2023
• Corita Kent on teachingOctober 20, 2023
• John Gall on systemsOctober 19, 2023
• Terry Johnson on illustrationOctober 18, 2023
• James Gray on homageOctober 17, 2023
• Maya Deren on processOctober 16, 2023
• Fellini on understanding artOctober 15, 2023
• Rachel Pollack on handwritingOctober 14, 2023
• Martin Scorsese at the BFIOctober 13, 2023
• Saul Bass on rewardsOctober 12, 2023
• John Porcellino on artOctober 11, 2023
• Maria Kalman on mistakesOctober 10, 2023
• Wisława Szymborska on reviewsOctober 9, 2023
• Milton Glaser on astonishmentOctober 8, 2023
• Ursula K. Le Guin on imaginationOctober 7, 2023
• Andy Warhol on making artOctober 6, 2023
• John Waters on film postersOctober 5, 2023
• Kathleen Hanna’s manifestoOctober 4, 2023
• Diane Burns on working by handOctober 3, 2023
• The Posters of Cinema 5October 2, 2023
• Rick Poynor on legibilityOctober 1, 2023
• Aimee Mann on comicsSeptember 30, 2023
• Jules Feiffer on styleSeptember 29, 2023
• Todd Haynes on old moviesSeptember 28, 2023
• Eileen Myles on lifeSeptember 27, 2023
• Martin Scorsese on timeSeptember 26, 2023
• Peter Saville in 2007September 25, 2023
• Lynda Barry on being stuckSeptember 24, 2023
• Charles Eames on being an amateurSeptember 23, 2023
• Anne Burdick on styleSeptember 22, 2023
• Peter Bogdanovich at the AFISeptember 21, 2023
• Lanny Sommese on designSeptember 20, 2023
• David Wojnarowicz on beautySeptember 19, 2023
• Orson Welles on being professionalSeptember 18, 2023
• Legibility in the Irregular BulletinSeptember 17, 2023
• Meena Alexander on poetrySeptember 16, 2023
• Jan Tschichold on booksSeptember 15, 2023
• Kurt Vonnegut in BluebeardSeptember 14, 2023
• It’s All Been Done in 1969September 13, 2023
• M&CO designs for Talking HeadsSeptember 12, 2023
• Saul Bass on ideasSeptember 11, 2023
• Lynda Barry on the grooveSeptember 10, 2023
• Cranky Rick ValicentiSeptember 9, 2023
• Heather Havrilesky on artSeptember 8, 2023
• Richard Linklater in 2023September 7, 2023
• Ad Reinhardt on competitionSeptember 6, 2023
• Chantal Akerman on film rankingsSeptember 5, 2023
• Maya Deren on growthSeptember 4, 2023
• Jack Kirby on classSeptember 3, 2023
• 1977’s Valentino on artistic meritSeptember 2, 2023
• Tim Sale on René GruauSeptember 1, 2023
• George Meredith on librariesAugust 31, 2023
• Lidia Yuknavitch on artAugust 30, 2023
• Margo Chase on her first jobAugust 29, 2023
• On art and fearAugust 28, 2023
• Grace Paley on moneyAugust 27, 2023
• Herb Lubalin on businessAugust 26, 2023
• Karen Kratzer on spec workAugust 25, 2023
• Heather Havrilesky on mistakesAugust 24, 2023
• James Baldwin on beingAugust 23, 2023
• Jack Kirby on professionalismAugust 22, 2023
• Max Headroom in 1989August 22, 2023
• Małgorzata Bartosik on Polish designAugust 21, 2023
• Michael C. Gross on art directingAugust 21, 2023
• Barry Windsor-Smith in 1996August 20, 2023
• Lou Danziger on booksAugust 19, 2023
• Corita Kent on experienceAugust 18, 2023
• R. O. Blechman in the ’70sAugust 17, 2023
• James Baldwin on gamesAugust 16, 2023
• Rebecca Solnit on treesAugust 15, 2023
• Maya Deren on filmAugust 14, 2023
• Po on Dark Side of the MoonAugust 13, 2023
• Neal Adams on being an artistAugust 12, 2023
• Maurice Sendak on independenceAugust 11, 2023
• Advice from Sally CruikshankAugust 10, 2023
• Anne Boyer on capitalismAugust 9, 2023
• Václav Havel on hopeAugust 9, 2023
• Jamie Reid in 2015August 8, 2023
• Tomi Ungerer on influencesAugust 8, 2023
• Bill Sienkiewicz in 1986August 7, 2023
• William Friedkin on expressionAugust 7, 2023
• Kase2 on The BeastmasterAugust 6, 2023
• John Porcellino on artistic freedomAugust 6, 2023
• Neal Adams on art and businessAugust 5, 2023
• Jenny Xie on cultural workersAugust 5, 2023
• Olivia Laing on competitionAugust 4, 2023
• Heather Havrilesky on being nobodyAugust 3, 2023
• Tricia Zimic on the art of TromaAugust 2, 2023
• John Romita Sr. on comicsAugust 2, 2023
• Jacques Rivette on being attentiveAugust 1, 2023
• Bill Watterson on influencesAugust 1, 2023
• Nora Ephron on blogsJuly 31, 2023
• Frank Frazetta on OrcaJuly 31, 2023
• Bernie Wrightson on being an artistJuly 30, 2023
• Saul Bass and Stanley KubrickJuly 30, 2023
• John Berger – Hold Everything DearJuly 29, 2023
• Jack Pedota & Batman ReturnsJuly 28, 2023
• Carin Goldberg on trustJuly 28, 2023
• Milton Glaser on marketingJuly 27, 2023
• Mandy Brown on survivalJuly 26, 2023
• Paul Sahre on subjectivityJuly 25, 2023
• Charlotte West on ProjektJuly 24, 2023
• Brian Bysouth on James BondJuly 23, 2023
• Barbara Kruger on styleJuly 22, 2023
• Lynda Barry on revolutionary actsJuly 21, 2023
• James Victore on The Bourne IdentityJuly 20, 2023
• David Lynch on fateJuly 20, 2023
• Seymour Chwast on doubtJuly 19, 2023
• Helen Keller on fateJuly 18, 2023
• Milton Glaser on drawingJuly 18, 2023
• Mieczysław Wasilewski in 2016July 17, 2023
• Artists & Trade Unions by Francis J. GormanJuly 16, 2023
• Carin Goldberg on designJuly 15, 2023
• Philip Glass on lineageJuly 14, 2023
• Karel Teissig on film postersJuly 13, 2023
• Lynda Barry on analogJuly 12, 2023
• Ursula K. Le Guin on freedomJuly 11, 2023
• Alan Fletcher on ideasJuly 11, 2023
• Ada Limón on self preservationJuly 11, 2023
• William Morris on historyJuly 10, 2023
• Richard Hollis on Jan TschicholdJuly 9, 2023
• Anne Lamott on perfectionismJuly 8, 2023
• Rick Prelinger on nostalgiaJuly 8, 2023
• David King in Eye MagazineJuly 7, 2023
• Coralie Bickford-Smith on shynessJuly 7, 2023
• Do You Know Bureau?July 6, 2023
• Bill Watterson on popular artJuly 6, 2023
• Philip B. Meggs on knowing design historyJuly 5, 2023
• John Porcellino on callingsJuly 4, 2023
• Susan Sontag on the posterJuly 4, 2023
• Dorian Corey on making a markJuly 3, 2023
• Rejected Lubalin logosJuly 3, 2023
• R. O. Blechman on contextJuly 2, 2023
• John Lurie on intuitionJuly 1, 2023
• Richard Lorber on filmsJuly 1, 2023
• Whistler on timeJune 30, 2023
• Martha Graham on artistsJune 30, 2023
• Marshall McLuhan on insightJune 29, 2023
• Nick Cave on being kindJune 28, 2023
• Corita Kent on makingJune 27, 2023
• Olga Poláčková-Vyleťalová on postersJune 26, 2023
• Roz Chast on cartooningJune 25, 2023
• Winston Smith on faking itJune 24, 2023
• Rick Poynor on Tibor KalmanJune 24, 2023
• Christopher Reeve on moneyJune 23, 2023
• Patricia Rozema on ‘Mermaids’June 22, 2023
• Neil Postman on technologyJune 22, 2023
• R. O. Blechman on creditJune 21, 2023
• Martha Ackmann on Emily DickinsonJune 21, 2023
• Zadie Smith on rememberingJune 20, 2023
• Roman Cieślewicz on postersJune 19, 2023
• Michael C. Gross in 2012June 18, 2023
• Estelle Carol on the collectiveJune 17, 2023
• Quotes from Amos Kennedy Jr.June 16, 2023
• Paul Rand on likingJune 15, 2023
• Anaïs Nin on intimacyJune 14, 2023
• Peter Saville’s Fac 1 posterJune 13, 2023
• Don Hertzfeldt on stagnationJune 12, 2023
• Lorraine Wild on the computerJune 11, 2023
• Karrie Jacobs on styleJune 10, 2023
• Ross Gay on joyJune 9, 2023
• Edith Wharton on lightJune 8, 2023
• Günther Kieser on postersJune 7, 2023
• Lou Danziger on teachingJune 7, 2023
• Emily Dickinson on her companionsJune 6, 2023
• Henry David Thoreau on journalsJune 5, 2023
• Kenneth Goldsmith on savingJune 4, 2023
• Book covers by Barbara KrugerJune 4, 2023
• Rudy VanderLans on the Next Big ThingJune 3, 2023
• Martin Scorsese on businessJune 3, 2023
• Lorraine Wild on ModernismJune 2, 2023
• Sylvia Plath on livingJune 1, 2023
• Tibor Kalman on design in the ’80sJune 1, 2023
• George Saunders on originalityMay 31, 2023
• Behind the ‘Mermaids’ posterMay 30, 2023
• Tim Kreider on sanityMay 29, 2023
• Good History/Bad HistoryMay 28, 2023
• Corita Kent on hopeMay 27, 2023
• Saul Bass on workingMay 26, 2023
• April Greiman’s studio in 1994May 25, 2023
• Seymour Chwast’s career adviceMay 24, 2023
• Waldemar Świerzy on Polish Posters in ’92May 23, 2023
• On Identical DiscoveriesMay 22, 2023
• Bill Withers on simplicityMay 21, 2023
• M&Co’s design approachMay 20, 2023
• Bruce Springsteen on nihilismMay 19, 2023
• Martin Scorsese at 80May 18, 2023
• Saul Bass on 9 to 5May 17, 2023
• Loretta Staples on designMay 16, 2023
• Bob Gill on pricingMay 15, 2023
• Maria Kalman on thinkingMay 14, 2023
• Ted Chiang on LudditesMay 14, 2023
• Ursula K. Le Guin on happinessMay 13, 2023
• Milton Glaser on inspirationMay 12, 2023
• Paula Scher on meetingsMay 11, 2023
• Rita Mae Brown on conformityMay 11, 2023
• Bill Hader on enjoymentMay 10, 2023
• Tim Kreider on selvesMay 9, 2023
• Margo Chase on entertainment designMay 8, 2023
• Lynda Barry on smartphonesMay 7, 2023
• Milton Glaser on purposeMay 6, 2023
• Annie Dillard on givingMay 5, 2023
• Art Chantry on heroesMay 4, 2023
• Tibor Kalman on MatewanMay 3, 2023
• PTA on the blank pageMay 2, 2023
• Stephan Bundi on the age of the computerMay 1, 2023
• Barbara Kruger on SupremeApril 30, 2023
• Harlan Ellison on ethicsApril 29, 2023
• Kurt Vonnegut on hack jobsApril 28, 2023
• Brian Eno on targetsApril 27, 2023
• Alan Moore on visionApril 26, 2023
• Sidney Lumet and Pauline KaelApril 25, 2023
• William Copley on progressApril 25, 2023
• Anne Burdick on formApril 24, 2023
• Anne Herbert on librariesApril 23, 2023
• Jamie Reid on ideasApril 22, 2023
• Julie Prendiville on Margo ChaseApril 21, 2023
• Maira Kalman on seeingApril 20, 2023
• Kate Hepburn on designing for PythonApril 19, 2023
• Bob Gill on realityApril 18, 2023
• Linn Ullmann on Ingmar BergmanApril 17, 2023
• Helen Keller on industrial oppressionApril 16, 2023
• Drew Struzan on HellboyApril 15, 2023
• George Saunders on skillApril 14, 2023
• Dickinson on being seenApril 13, 2023
• Edward Tufte on creative workApril 13, 2023
• Stanley Kubrick on styleApril 12, 2023
• Karlheinz Borchert on W. German Film PostersApril 11, 2023
• Mike Salisbury on ‘Aliens’April 10, 2023
• A Note from James VictoreApril 9, 2023
• Zuzana Licko on traditionApril 8, 2023
• Q&A with Gunter RambowApril 7, 2023
• Rudy VanderLans on type designApril 6, 2023
• Sylvia Plath on acceptanceApril 5, 2023
• Neil Postman’s 7 QuestionsApril 4, 2023
• Maya Deren on being an amateurApril 3, 2023
• Mary Oliver on BeingApril 2, 2023
• William Friedkin at the AFIApril 1, 2023
• Notes from Lynda BarryApril 1, 2023
• Chantal Akerman on starting outMarch 31, 2023
• Ken Russell on The DevilsMarch 30, 2023
• David Lee Roth on creativityMarch 29, 2023
• Piet Schreuders on designersMarch 28, 2023
• Mr. Keedy on American Graphic DesignMarch 27, 2023
• Susan Sontag on postersMarch 26, 2023
• Design advice from April GreimanMarch 25, 2023
• William Golden on market researchMarch 24, 2023
• Piet Schreuders in EmigreMarch 23, 2023
• Thoreau on the ordinaryMarch 22, 2023
• Maya Deren on film narrativeMarch 21, 2023
• Jan Van Toorn on hindrancesMarch 20, 2023
• Ellison, Adams, and deadlinesMarch 19, 2023
• Bob Gill on typographyMarch 18, 2023
• Daniel Clowes on styleMarch 17, 2023
• Margo Chase on turning work downMarch 16, 2023
• Tom Noonan on writingMarch 15, 2023
• Rachel Marie-Crane Williams on teachingMarch 14, 2023
• Maya Deren on artistic freedomMarch 13, 2023
• Ivan Chermayeff on Robert BrownjohnMarch 12, 2023
• Paulus Berensohn on journalsMarch 11, 2023
• Kate Hepburn at Spare RibMarch 10, 2023
• Milton Glaser on ideas and clichésMarch 9, 2023
• Nick Cave on the artistic experienceMarch 8, 2023
• Derek Birdsall on convictionMarch 7, 2023
• Richard Hollis on being a designerMarch 6, 2023
• Ken Garland on pro bono workMarch 5, 2023
• Stephanie Steyer on Art ChantryMarch 4, 2023
• Kenya Hara on technologyMarch 3, 2023
• Kay Haring on Keith HaringMarch 2, 2023
• Denise Gonzales Crisp on capitalMarch 1, 2023
• Sidney Lumet on luckMarch 1, 2023
• Milton Glaser in 2020February 28, 2023
• Saul Bass on visionFebruary 27, 2023
• Joel Markus on TV38February 26, 2023
• Maya Deren’s manifestoFebruary 25, 2023
• Zora Neale Hurston on researchFebruary 24, 2023
• Frank Frazetta’s ancedoteFebruary 23, 2023
• Kurt Vonnegut on booksFebruary 22, 2023
• Milton Glaser on art and designFebruary 21, 2023
• The Poster in PolandFebruary 20, 2023
• Lynda Barry on the artsFebruary 19, 2023
• Waldemar Świerzy on postersFebruary 18, 2023
• The Story of “O” by Herb LubalinFebruary 17, 2023
• Milton Glaser on ideasFebruary 16, 2023
• Josef Müller-Brockmann on designersFebruary 15, 2023
• Cipe Pineles on William GoldenFebruary 14, 2023
• Chantal Akerman on time passingFebruary 13, 2023
• Bob Gill on echoesFebruary 12, 2023
• Milton Glaser on professionalismFebruary 11, 2023
• Leonard Cohen on writingFebruary 10, 2023
• Corita Kent on printmakingFebruary 9, 2023
• Jules Feiffer on rejectionFebruary 8, 2023
• Virginia Woolf on beingFebruary 7, 2023
• Keith Haring on drawingFebruary 6, 2023
• Kurt Vonnegut on the richFebruary 5, 2023
• Zadie Smith on librariesFebruary 4, 2023
• Tim Sale and N. C. WyethFebruary 3, 2023
• Cipe Pineles on typographyFebruary 2, 2023
• Martin Scorsese on contentFebruary 2, 2023
• William Friedkin on being an artistFebruary 1, 2023
• Rules for Students and TeachersFebruary 1, 2023
• A Poem by Gwendolyn BrooksJanuary 31, 2023
• Tim Sale on drawingJanuary 30, 2023
• Anne Edwards on Katharine HepburnJanuary 29, 2023
• Jan Tschichold on typefacesJanuary 28, 2023
• Inés Estrada on powerJanuary 27, 2023
• Yasaburō Kuwayama on similaritiesJanuary 26, 2023
• Jiří Menzel on decorationJanuary 25, 2023
• Drusilla Adeline on one’s passionsJanuary 24, 2023
• Carin Goldberg on beingJanuary 23, 2023
• William Faulkner on workJanuary 22, 2023
• Claes Oldenburg on artJanuary 21, 2023
• Carin Goldberg on UlyssesJanuary 20, 2023
• Jean Cocteau on criticismJanuary 19, 2023
• On Yellow SubmarineJanuary 18, 2023
• Lorraine Louie and Vintage coversJanuary 17, 2023
• DK Holland on the first AIGA ConferenceJanuary 16, 2023
• Jenny Offill on librariesJanuary 15, 2023
• Tony Palladino in LondonJanuary 14, 2023
• Holly Lewis on laborJanuary 13, 2023
• Kurt Vonnegut on problemsJanuary 12, 2023
• Véronique Vienne on illustration in 1998January 11, 2023
• Sherwood Anderson on artJanuary 10, 2023
• Franz Hermann Wills on film postersJanuary 9, 2023
• Marc Weidenbaum on blogsJanuary 8, 2023
• Eddie Van Halen on practiceJanuary 7, 2023
• Michael Bierut on obviousJanuary 6, 2023
• Lizzie Borden on filmmakingJanuary 5, 2023
• Richard Hollis & Peter Saville at the WhitechapelJanuary 4, 2023
• Tony Palladino on the big ideaJanuary 3, 2023
• James Baldwin on talentJanuary 2, 2023
• John Steinbeck on evilJanuary 1, 2023
• James Baldwin on optimismJanuary 1, 2023
• David Lynch on doingDecember 31, 2022
• Virginia Woolf on the pastDecember 30, 2022
• Frank Pavich on JodorowskyDecember 29, 2022
• Walter Gropius at DeCordovaDecember 28, 2022
• Dr. Maria Nette on film postersDecember 27, 2022
• Saul Bass on economicsDecember 26, 2022
• Ghosting by Andrea CohenDecember 25, 2022
• Jiří Menzel on compromiseDecember 24, 2022
• Robert Louis Stevenson on livingDecember 23, 2022
• František Vláčil on creativityDecember 22, 2022
• Ursula K. Le Guin on sharingDecember 21, 2022
• Jiří Menzel on new wavesDecember 20, 2022
• Christopher Wilson on ‘Ways of Seeing’December 19, 2022
• A Poem by William MartinDecember 18, 2022
• Fagen and MorriconeDecember 17, 2022
• Studs Terkel’s opening to ‘Working’December 16, 2022
• A Reminder from Smaller BeingsDecember 15, 2022
• Lynda Barry on momentsDecember 14, 2022
• R. O. Blechman on DisneyDecember 13, 2022
• Kurt Vonnegut on farting aroundDecember 12, 2022
• bell hooks on waitingDecember 11, 2022
• Christopher Alexander on adaptationDecember 10, 2022
• Jens Müller on Wolfgang SchmidtDecember 9, 2022
• Elizabeth Sandifer on fandomDecember 8, 2022
• On the key art for Star Wars (1977)December 7, 2022
• Lynda Barry on imagesDecember 6, 2022
• How Heinz Edelmann worksDecember 5, 2022
• Tim Sale on looking outside of comicsDecember 4, 2022
• Saul Bass on film advertisingDecember 3, 2022
• Hans Hillmann and film postersDecember 2, 2022
• Milton Glaser on consensusDecember 1, 2022
• Ken Russell on his filmsDecember 1, 2022
• bell hooks on alonenessNovember 30, 2022
• Lynda Barry in 2022November 29, 2022
• Beatrice Loayza on Céline & Julie Go BoatingNovember 28, 2022
• Art Chantry in Punk PlanetNovember 27, 2022
• Austin Kleon on machinesNovember 26, 2022
• James Victore on jobsNovember 25, 2022
• Tim Kreider on AINovember 25, 2022
• Richard O’Connor on clientsNovember 24, 2022
• John Carpenter on creativityNovember 23, 2022
• Kathleen Hanna in Punk PlanetNovember 22, 2022
• Ken Coupland on Saul BassNovember 21, 2022
• Policija by GórowskiNovember 20, 2022
• Lynda Barry on seeingNovember 19, 2022
• Theo Inglis on timelessnessNovember 18, 2022
• Nick Hornby on personal librariesNovember 17, 2022
• Ursula K. Le Guin on perfectionNovember 16, 2022
• Frank Bures on wisdomNovember 15, 2022
• David Byrne on progressNovember 14, 2022
• Wisława Szymborska on Hans Christian AndersenNovember 13, 2022
• Rebecca Solnit on workNovember 12, 2022
• Roger Ebert on tasteNovember 11, 2022
• Václav Havel on fearNovember 10, 2022
• Corita Kent on the commonplaceNovember 9, 2022
• Anne Lamott on successNovember 8, 2022
• James L. Brooks on decencyNovember 7, 2022
• Wisława Szymborska on factsNovember 6, 2022
• Marcel Duchamp on livingNovember 5, 2022
• Kurt Vonnegut on librariesNovember 4, 2022
• Calvin Tomkins on Marcel DuchampNovember 3, 2022
• Robert Louis Stevenson on neglectNovember 2, 2022
• Jean Renoir on artNovember 1, 2022
• Thoreau on walking in the woodsNovember 1, 2022
• Barbara Kruger on her approachOctober 31, 2022
• Paul Sahre on finding your own wayOctober 30, 2022
• Wendell Berry on divisionOctober 29, 2022
• On design historyOctober 28, 2022
• On Reid MilesOctober 27, 2022
• Christopher Reeve on cultureOctober 26, 2022
• Heather Havrilesky on being regularOctober 25, 2022
• R. O. Blechman on rejected workOctober 24, 2022
• Mariame Kaba on fatalismOctober 23, 2022
• Tschichold vs. BillOctober 22, 2022
• Rick Poynor on Pelham and KingOctober 21, 2022
• Richard Hollis on generationsOctober 20, 2022
• Louise Erdrich on lifeOctober 19, 2022
• Krzysztof Toeplitz on Polish PostersOctober 18, 2022
• Pearce Marchbank on Richard HollisOctober 17, 2022
• bell hooks on conformityOctober 16, 2022
• Lynch on LynchOctober 15, 2022
• Jenny Odell on timeOctober 14, 2022
• R. O. Blechman on David LevineOctober 13, 2022
• Designing The Rolling StonesOctober 13, 2022
• Manifesto for Maintenance ArtOctober 12, 2022
• Heather Havrilesky on your jobOctober 11, 2022
• Toni Morrison on friendshipsOctober 10, 2022
• Jenna Freedman on zinesOctober 9, 2022
• Rebecca Solnit on the pastOctober 8, 2022
• Milton Glaser on historyOctober 7, 2022
• Hollis & Brandt’s design exerciseOctober 6, 2022
• R. O. Blechman on pro bono jobsOctober 6, 2022
• Nikita Gill on livingOctober 5, 2022
• Philip B. Meggs on design historyOctober 4, 2022
• Rick Poynor on collectingOctober 3, 2022
• David Lynch on ageOctober 3, 2022
• Nina on zinesOctober 2, 2022
• Ed Emberley on feeling goodOctober 1, 2022
• John Carpenter on retiring from directingOctober 1, 2022
• Henry Miller on lifeSeptember 30, 2022
• John Alvin on letting goSeptember 29, 2022
• Alan Moore on the internetSeptember 28, 2022
• Joe Caroff on the 007 logoSeptember 27, 2022
• H. G. Wells on time machinesSeptember 26, 2022
• A Poem by Rose CookSeptember 25, 2022
• Vaughan Williams on originalitySeptember 24, 2022
• Saul Bass on design basicsSeptember 23, 2022
• Chwast and Nicholas NicklebySeptember 21, 2022
• Stefan Sagmeister on bullshitSeptember 20, 2022
• John Carpenter on ReaganSeptember 19, 2022
• Heather Havrilesky on friendshipSeptember 18, 2022
• Albert Brooks on getting olderSeptember 17, 2022
• Helen Keller on ideasSeptember 16, 2022
• Garry Shandling on thinkingSeptember 15, 2022
• bell hooks on differencesSeptember 14, 2022
• Stefan Zweig on artistsSeptember 13, 2022
• Advice from an Art DirectorSeptember 12, 2022
• Elaine May on adaptingSeptember 11, 2022
• William Saunders on David KingSeptember 10, 2022
• Mark Fisher on boredomSeptember 9, 2022
• Octavia Butler on habitSeptember 8, 2022
• Art Chantry on cultureSeptember 7, 2022
• John Porcellino on doingSeptember 6, 2022
• Susan Orlean on imitationSeptember 5, 2022
• A Poem by Robert L. PostonSeptember 5, 2022
• George Saunders on flawsSeptember 4, 2022
• Sherry Turkle on empathySeptember 3, 2022
• Dan Brooks on cultureSeptember 2, 2022
• Rebecca Solnit on icebergsSeptember 1, 2022
• Art Chantry on successAugust 31, 2022
• Lisa Hanawalt’s adviceAugust 31, 2022
• Dorothy Parker and deadlinesAugust 31, 2022
• Ken Garland on studentsAugust 30, 2022
• Tomi Ungerer on The Three RobbersAugust 29, 2022
• Martin Scorsese on supply and demandAugust 28, 2022
• Enzo Mari on designersAugust 27, 2022
• Henry David Thoreau on lifeAugust 26, 2022
• Aggie Toppins on design historyAugust 25, 2022
• Barbara Kruger on words and picturesAugust 24, 2022
• Goethe on love and hateAugust 23, 2022
• Christopher McQuarrie on qualityAugust 22, 2022
• Ursula K. Le Guin on commodityAugust 21, 2022
• Jon Kabat-Zinn on surfingAugust 20, 2022
• Richard Hollis on plumbingAugust 19, 2022
• John Carpenter on scoringAugust 19, 2022
• James Baldwin on oneselfAugust 18, 2022
• Heather Havrilesky on joyAugust 17, 2022
• Jean Cocteau on the commonplaceAugust 16, 2022
• John Carpenter on Halloween IIAugust 15, 2022
• Schopenhauer on readingAugust 14, 2022
• R. O. Blechman on illustrationAugust 14, 2022
• Martin Scorsese on moviesAugust 13, 2022
• Brian Eno on mediumsAugust 12, 2022
• Albert Einstein on successAugust 11, 2022
• Grant Morrison on fictionAugust 11, 2022
• Debbie Harry by Chris SteinAugust 10, 2022
• Sidney Lumet on the “kitchen sink”August 10, 2022
• Laura Dassow Walls on Marilynne RobinsonAugust 9, 2022
• Drew Struzan on The ThingAugust 8, 2022
• Saul Bass on The Man with the Golden ArmAugust 7, 2022
• Laurie Anderson’s Three RulesAugust 6, 2022
• Martin Scorsese on movie postersAugust 5, 2022
• Ursula K. Le Guin on peculiaritiesAugust 4, 2022
• Tim Kreider on survivalAugust 3, 2022
• R. O. Blechman on talentAugust 2, 2022
• Toni Morrison on timeAugust 1, 2022
• Félix Beltrán on successAugust 1, 2022
• Liz Phair on inventionJuly 31, 2022
• Emily Dickinson on lifeJuly 30, 2022
• Mary Oliver on worryJuly 29, 2022
• Kurt Vonnegut on softnessJuly 28, 2022
• Colleen Tighe on creativityJuly 27, 2022
• Ray Bradbury on inspirationJuly 26, 2022
• Antonio Machado on doing things wellJuly 25, 2022
• Art Chantry on working todayJuly 24, 2022
• Susan Sontag on limitationsJuly 23, 2022
• William Drenttel on heroesJuly 22, 2022
• Jiří Menzel on filmmakingJuly 21, 2022
• Joseph Heller on workingJuly 20, 2022
• Likes by William Addison DwigginsJuly 19, 2022
• Don Hertzfeldt on enjoymentJuly 18, 2022
• An aphorism from Le LoiJuly 17, 2022
• R.O. Blechman on advertisingJuly 16, 2022
• Walter Isaacson on noticingJuly 15, 2022
• Art Chantry on originalityJuly 14, 2022
• Heather Havrilesky on workingJuly 13, 2022
• Fletcher/Forbes/Gill on standardsJuly 12, 2022
• Helen Keller on beliefJuly 11, 2022
• Mary Oliver and EmersonJuly 10, 2022
• Elliott Erwitt on noticingJuly 9, 2022
• Howard Gossage on committeesJuly 8, 2022
• Tove Jansson on writer’s blockJuly 7, 2022
• Marcel Duchamp on criticismJuly 6, 2022
• Ken Russell going about his businessJuly 5, 2022
• Ursula K. Le Guin on sanityJuly 4, 2022
• David Lynch on changeJuly 3, 2022
• Richard Hollis on Robin FiorJuly 2, 2022
• Jay Shaw on how to design fasterJuly 1, 2022
• Corita Kent on junkJune 30, 2022
• Matthew Evans on designJune 29, 2022
• Joshua Jennifer Espinoza on hauntingsJune 28, 2022
• Saul Bass on design feesJune 27, 2022
• Kathleen Collins on timeJune 26, 2022
• Saul Bass on experienceJune 25, 2022
• Amy Ng on consumptionJune 24, 2022
• Wisława Szymborska on knowingJune 23, 2022
• Wiktor Sadowski on Henryk TomaszewskiJune 22, 2022
• David King on form and contentJune 21, 2022
• Milton Glaser on design basicsJune 20, 2022
• Allowables by Nikki GiovanniJune 19, 2022
• April Greiman on sharingJune 18, 2022
• Oscar Wilde on artJune 17, 2022
• Toni Morrison on lifeJune 16, 2022
• Margo Chase on DraculaJune 15, 2022
• Mary Oliver: Don’t HesitateJune 14, 2022
• Wiktor Sadowski on clientsJune 13, 2022
• Peter Saville on The WhitechapelJune 12, 2022
• Richard Hollis on alternativesJune 11, 2022
• John McConnell on cover designJune 10, 2022
• Some Advice from Nazım HikmetJune 9, 2022
• Andrei Tarkovsky on hopeJune 8, 2022
• Art Chantry on design historyJune 7, 2022
• Václav Havel on idealsJune 6, 2022
• George Lucas on supportJune 5, 2022
• Maurice Sendak on artJune 4, 2022
• Alan Moore on fictionJune 3, 2022
• Improving My GermanJune 2, 2022
• Tim Kreider on givingJune 1, 2022
• Lou Dorfsman on design philosophyJune 1, 2022
• Michael Ventura on artMay 31, 2022
• Nick Hornby on the everydayMay 30, 2022
• Sam Neill on separationMay 29, 2022
• Joe Caroff on film postersMay 28, 2022
• Shaun Dew on ideasMay 27, 2022
• Albert Camus on experienceMay 26, 2022
• bell hooks on criticismMay 25, 2022
• Jane Kenyon’s adviceMay 24, 2022
• John McConnell on design reversalMay 23, 2022
• Wim Crouwel on designMay 22, 2022
• Kurt Vonnegut on lifeMay 21, 2022
• Wisława Szymborska on booksMay 20, 2022
• Maurice Sendak on lifeMay 19, 2022
• Susan Sontag on opinionsMay 18, 2022
• Marc Maron on meritocracyMay 17, 2022
• Brian Eno on beginningsMay 16, 2022
• George Saunders on lessMay 15, 2022
• Henry James on likingMay 14, 2022
• Czesław Miłosz on poetryMay 13, 2022
• Henry James on lifeMay 12, 2022
• W.E.B. Du Bois on prosperityMay 10, 2022
• Henryk Tomaszewski on postersMay 9, 2022
• B.D. McClay on maintenanceMay 8, 2022
• Wendell Berry on freedomMay 7, 2022
• Heather Cass White on booksMay 6, 2022
• James Victore on efficiencyMay 5, 2022
• Affiche magazine on film postersMay 4, 2022
• Paul Bacon on book jacketsMay 3, 2022
• Bob Peak on his careerMay 2, 2022
• Audre Lorde on caringMay 1, 2022
• The Polish Poster schoolMay 1, 2022
• The Two-Headed CalfApril 30, 2022
• Barbara Kruger on social mediaApril 29, 2022
• Ursula K. Le Guin reassuranceApril 28, 2022
• The Reluctant Celebrity of Sally RooneyApril 27, 2022
• Kaitlin Byrd on timeApril 26, 2022
• Shep Gordon on fameApril 25, 2022
• Linda Holmes on surrenderingApril 24, 2022
• David Koenig on ColumboApril 23, 2022
• Jessa Crispin on improvementApril 22, 2022
• Waldemar Świerzy on being a studentApril 21, 2022
• Stalker on softnessApril 20, 2022
• Ruth Artmonsky on publishingApril 19, 2022
• Ron Moore on Battlestar GalacticaApril 19, 2022
• Bernie Fuchs on illustrationApril 18, 2022
• Archie Boston on problem solvingApril 17, 2022
• Saul Bass on strugglingApril 16, 2022
• Virginia Woolf on happinessApril 16, 2022
• Wolfgang Weingart on typographyApril 15, 2022
• Ray Bradbury on librariesApril 14, 2022
• John A. Powell on softnessApril 13, 2022
• Hilton Als on ourselvesApril 12, 2022
• Joan Didion on past selvesApril 11, 2022
• Lynda Barry on likingApril 10, 2022
• Dickinson on praiseApril 9, 2022
• Studs Terkel on librariesApril 8, 2022
• James Kochalka on craftApril 7, 2022
• John McConnell on design alternativesApril 6, 2022
• Iris Murdoch on timeApril 5, 2022
• Marcel Duchamp on loveApril 4, 2022
• Mark Twain on plagiarismApril 3, 2022
• John Miles on Penguin booksApril 2, 2022
• T.H. White on learningApril 1, 2022
• Heather Havrilesky on livingMarch 31, 2022
• Roger Ebert on moviesMarch 30, 2022
• James Baldwin on lifeMarch 29, 2022
• Stefan Zweig on existenceMarch 28, 2022
• Charley Locke on commonplace booksMarch 27, 2022
• Questlove on collectingMarch 27, 2022
• Saul Bass on photographyMarch 26, 2022
• Ursula K. Le Guin on resistanceMarch 25, 2022
• Corita Kent on peopleMarch 24, 2022
• Henry Moore on retirementMarch 23, 2022
• Thilo von Debschitz on Joe CaroffMarch 22, 2022
• Mieczysław Wasilewski on Polish postersMarch 21, 2022
• Rebecca Makkai on artMarch 20, 2022
• Amos Kennedy, Jr. on timeMarch 19, 2022
• Waldemar Świerzy on clientsMarch 18, 2022
• William Golden on designMarch 17, 2022
• David Lynch on protectionMarch 16, 2022
• Ursula Franklin on being quietMarch 15, 2022
• Fame is a beeMarch 15, 2022
• Lynda Barry on loveMarch 14, 2022
• Matthew Specktor on talentMarch 13, 2022
• Lawrence Ratzkin on book jacketsMarch 13, 2022
• Czechoslovak Cinema Posters, 1969March 13, 2022
• Lucinda Cowell & Aaron Michaelson on Teen WolfMarch 13, 2022
• Walter Gropius on classMarch 12, 2022
• Lynda Barry on drawingMarch 11, 2022
• Alena Smith on hopeMarch 10, 2022
• Heather Havrilesky on workMarch 10, 2022
• Martin Scorsese on studyingMarch 9, 2022
• In Conversation: Akiko StehrenbergerMarch 8, 2022
• John Lurie on paintingMarch 7, 2022
• Peter Hook on Unknown PleasuresMarch 6, 2022
• bell hooks on critiqueMarch 6, 2022
• Neal Ashby on the Parental Advisory LogoMarch 6, 2022
• Christopher Wilson on Richard HollisMarch 5, 2022
• George Andrade on City SlickersMarch 4, 2022
• Kelli Anderson on meritocracyMarch 3, 2022
• Tim Kreider on immersionMarch 2, 2022
• Henry Beard on luckMarch 1, 2022
• Mel Brooks on quittingMarch 1, 2022
• How to Not Be a PerfectionistFebruary 28, 2022
• Matt Zoller Seitz on nothingFebruary 27, 2022
• Robert H. Justman on having lessFebruary 26, 2022
• Martin Scorsese on being an artistFebruary 25, 2022
• George Lucas on being an artistFebruary 24, 2022
• Grace Paley on power and wealthFebruary 23, 2022
• The Carrier Bag Theory of FictionFebruary 22, 2022
• Ann Patchett on compostFebruary 21, 2022
• George Washington Carver on lifeFebruary 20, 2022
• Toni Morrison on jobsFebruary 19, 2022
• Joy James on expectationsFebruary 18, 2022
• Toni Morrison on political artFebruary 17, 2022
• Hope in Jane Campion’s Bright StarFebruary 16, 2022
• John Cage on the empty studioFebruary 15, 2022
• Maya Deren on understandingFebruary 14, 2022
• Bob Gill on the ordinaryFebruary 13, 2022
• Helen Shaver on kindnessFebruary 12, 2022
• Maya Angelou on knowingFebruary 11, 2022
• Annie Dillard on extremesFebruary 10, 2022
• Dave Hickey on being blown awayFebruary 9, 2022
• Milton Glaser on responsibilityFebruary 8, 2022
• Carl Pope on cultureFebruary 7, 2022
• Marcel Duchamp on lazinessFebruary 6, 2022
• Henry David Thoreau on forgettingFebruary 5, 2022
• David Pelham on marketingFebruary 4, 2022
• Tibor Kalman on aestheticsFebruary 3, 2022
• Neil Postman on newnessFebruary 2, 2022
• Bob Gill on clientsFebruary 1, 2022
• Paul Rand on rubbishFebruary 1, 2022
• Kurt Vonnegut and Susan SontagJanuary 31, 2022
• John Waters on computersJanuary 30, 2022
• Paula Scher at CBS RecordsJanuary 29, 2022
• Wim Wenders on memoriesJanuary 28, 2022
• Heather Havrilesky on improvementJanuary 27, 2022
• Ivan Chermayeff on trashJanuary 26, 2022
• David Lynch on schedulingJanuary 25, 2022
• Jeffrey Catherine Jones on fearJanuary 24, 2022
• Jeffrey Pfeffer on workJanuary 23, 2022
• A Short Lesson in Perspective by Linds ReddingJanuary 22, 2022
• William Friedkin on failureJanuary 21, 2022
• James Victore on strengthsJanuary 20, 2022
• Roger Zelazny on the selfJanuary 19, 2022
• Tibor Kalman on corporationsJanuary 18, 2022
• Bill Watterson on meaningJanuary 17, 2022
• Liv Ullmann on beautyJanuary 16, 2022
• Michael Bierut on practiceJanuary 15, 2022
• Thoreau on the presentJanuary 14, 2022
• Sean Adams on design historyJanuary 13, 2022
• Malcolm X on librariesJanuary 13, 2022
• Josef Müller-Brockmann on valuesJanuary 12, 2022
• Henrietta Barnett on fair wagesJanuary 11, 2022
• Howard Zinn on basic needsJanuary 10, 2022
• Robert Bresson on crueltyJanuary 9, 2022
• Virginia Woolf on lifeJanuary 8, 2022
• Nam June Paik on technologyJanuary 7, 2022
• Mick Smiley on accomplishmentsJanuary 6, 2022
• Audre Lorde on intentionsJanuary 5, 2022
• Peter Saville on feedbackJanuary 4, 2022
• Toni Morrison on workJanuary 3, 2022
• Fame is a fickle foodJanuary 2, 2022
• Gary Panter on social mediaJanuary 2, 2022
• Henryk Tomaszewski on the Polish poster schoolJanuary 1, 2022
• Ralph Waldo Emerson on seeingDecember 31, 2021
• Paul Sahre on ownershipDecember 30, 2021
• Laurie Anderson on makingDecember 29, 2021
• Ed Emberley on drawingDecember 28, 2021
• Milton Glaser on the Swiss styleDecember 27, 2021
• Jiří Menzel on restraintsDecember 26, 2021
• Heather Havrilesky on survivalDecember 25, 2021
• Ursula K. Le Guin on what you haveDecember 24, 2021
• Joan Didion on losing touchDecember 23, 2021
• Illustration: Aspects and DirectionsDecember 23, 2021
• Peter Saville on BeliefDecember 22, 2021
• Scourge of the GurusDecember 22, 2021
• Milton Glaser on poster illustrationDecember 21, 2021
• Václav Havel on hateDecember 20, 2021
• Robert Massin on typefacesDecember 19, 2021
• bell hooks on hopeDecember 18, 2021
• James Victore on knowingDecember 18, 2021
• Susan Sontag on intelligenceDecember 17, 2021
• Henry David Thoreau on hellDecember 16, 2021
• Martin Scorsese on diversity in artDecember 15, 2021
• Henryk Tomaszewski on beautyDecember 14, 2021
• Karel Čapek on being smallDecember 13, 2021
• John Ruskin on artDecember 12, 2021
• Jenny Offill on certaintyDecember 11, 2021
• James Baldwin on distrustDecember 10, 2021
• Neil Postman on techDecember 9, 2021
• Alan Moore on wavesDecember 8, 2021
• Morris Berman on being creativeDecember 7, 2021
• Anne Lamott on selvesDecember 6, 2021
• Rebecca Solnit on social mediaDecember 5, 2021
• Violet Weingarten on lifeDecember 4, 2021
• Art Chantry on new ideasDecember 3, 2021
• Joan Didion on agingDecember 2, 2021
• Howard Gossage on dutyDecember 1, 2021
• Tim Girvin on designing for filmNovember 30, 2021
• Ursula K. Le Guin on our livesNovember 29, 2021
• J. Maureen Henderson on workNovember 28, 2021
• Heather Havrilesky on popularityNovember 27, 2021
• Leo Tolstoy on lessNovember 26, 2021
• A.A. Milne on hurryingNovember 25, 2021
• Miya Tokumitsu on workNovember 24, 2021
• Julia Gfrörer on zinesNovember 23, 2021
• A manifesto by Atelier PopulaireNovember 22, 2021
• John Holt on intelligenceNovember 21, 2021
• Cortney Cassidy’s manifestoNovember 20, 2021
• Michael Bierut on good workNovember 19, 2021
• NobodyNovember 10, 2021